“NO BORDER 2D×(&#
“NO BORDER 2D×(🕷)3D” をキャ(🗃)ッチフ(⛩)レーズに掲げ、2Dと3Dの境(jìng )目(🐓)をなく(🌎)すクリ(😪)エイテ(🍥)ィブな(🌫)活動を目指(zhǐ )す３DCGプロダク(🔻)ション(🕚)“Picona Creative Studio”。本作は(⛹)どんな(➕)もので(🕑)も捨ててみせるゴミ捨て屋(🗿)(wū )コン(❎)ビと、(🔅)魔(mó )法(🗯)を捨て(👰)たい魔女が繰り広(guǎng )げる、ファッ(🎿)ション(👴)× ポッ(🦋)プ× ア(⛴)ニメをキーワードに魔法と科学を(📳)絡(🛐)み合(🍗)わせた(🍺)スラッ(🔮)プステ(⏸)ィック・アニメーション。同(📓)社が長(💶)年温(wē(🍯)n )めてき(🤨)たオリ(✡)ジナル企画が、ついに実現(⛔)(xiàn )！
In 2245, the Earth’s sun has dwindled and no longer provides the energy needed to sustain human life.Five hired mercenaries travel to an uncharted planet to collect a rare mineral known as stardust to replenish the dying star. After their spaceship crashes on the alien planet, they are stalked and hunted by a creature far more advanced than anything they have ever encountered before…(🐟)
When everything comes crashing down, two destructive siblings are trying to maintain a balanced psyche.
一对情(🏸)(qíng )侣外(🚹)出(chū )度(🐃)假，入住豪(háo )宅，然(rán )而，当(dāng )他(👮)们半(bà(🗃)n )夜醒来(🦒)(lái )，却发(👚)现自己(🌒)(jǐ )躺在一个处处(chù )充斥着恐怖氛(fē(📻)n )围的荒(🚒)弃诡宅(🐇)(zhái )中…(👗)…他们意(yì )欲逃离，然而(ér )却始终逃(🤬)不出(chū(📋) )去，努力(🍈)奔逃(tá(🛎)o )，但逃往(🕊)的地(dì )点却还是这所(suǒ )诡异(🗜)的荒宅(🚊)……更(🎍)恐怖的(🛴)是(shì )，当(🛅)他们再度(dù )回到这座诡宅(zhá(🌭)i )，却发现(🍥)，时(shí )间(🎀)跟他们(🚺)走出(chū(😲) )去的时间，一(yī )样……
每年八(🤼)(bā )月，夜(💉)(yè )幕降(🀄)临(lín )下(🍃)的爱(à(👝)i )丁堡城(chéng )堡，就(jiù )只属于戏剧和(hé )军(🥊)乐，力与(🖨)美(měi )的(🎖)表达。
Konstantin, a songwriter and master guitarist, runs away from numerous problems to the nature reserve Mikhailovskoye. Kostantin has long lost any way of income and has almost given up hope to be heard, living by sheer inertia and often drawing on alcohol.
After his mother's sudden death, Socrates, a 15-year-old living on the margins of Sã(😎)o Paulo's coast, must survive on his own while coming to terms with his grief.
生(shēng )田斗真、瑛太(tài )主演前少年犯(🏟)(fàn )题材(📸)电影《友(😜)(yǒu )罪》，改(🍕)编自(zì(😕) )药丸岳的同名(míng )小说，由濑濑(💞)(là(🚺)i )敬久(👓)执导。
In a story told from two different perspectives, Will Bird recounts the events which led to him being in a coma, while his niece Annie recounts her attempt to help to revive him from his coma.
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