UNDERNEATH is a
UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.
During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.
電影劇情是一部(♒)勵志愛(👓)情故事(🦖),講述男女主角兩(🏮)人因一(✡)次交通(tōng )意外,女(nǚ(🥣) )方失去(😌)記(jì )憶(🕠),男方因此有預知(🕷)未來能(🗜)力。吳卓(😯)羲表示:「我哋呢(🔦)套係一(👝)部愛情至上,又好凄(😖)美(mě(🍨)i )又浪漫(💠)嘅(gé )愛情片,男女之(😣)間又唔(🌚)係牽涉床上戲嘅,溫(🕧)馨鏡(🐮)頭嘅床(🚕)戲係有,都要睇劇本(🕛)(běn )睇下(🖤)有冇(mǎo )需要攬呀(ya )錫(🍄)呀,其(🔣)實情侶(✅)關係必須要有嘅,如(🧤)果唔係(🗝)觀眾唔(🗯)知你係情侶。」
After being double-crossed by Hondo on her own ship, Maz tells some stories.
It's summertime in a hot and empty Buenos Aires. Marcela's world is shaken when her sister dies, leaving her completely out of sorts. Still grieving, she must deal with clearing out her flat. One of her daughter’(🎩)s young friends, Nacho, appears on the scene, eager to help, a presence which leads to shared road trips and adventures. During these confusing days, people and conversations from another time will mingle, prompting questions, while the imminence of everyday life closes in on her.
電影劇(🧢)(jù )情是一部(bù )勵志(💅)愛情(qí(🏚)ng )故事,講(✉)述男女主角兩人(❄)因一次(🧝)交通意(🌕)外,女方失去記憶,男(😓)方因此(🚪)有預知(zhī )未來能(🧢)力(lì )。吳(🥥)卓羲(xī(🧢) )表示:「我哋呢套(✍)係一部(🚓)愛情至上,又好凄美(🙆)又浪(👓)漫嘅愛(🌽)情片,男女之間又(yò(📙)u )唔係牽(🐢)涉(shè )床上戲嘅(gé ),溫(😘)馨鏡(➕)頭嘅床(🦋)戲係有,都要睇劇本(🚤)睇下有(👏)冇需要(😐)攬呀錫呀,其實情(🐖)侶關係(🐮)(xì )必須要有(yǒu )嘅,如(♐)果(guǒ )唔(🤛)係觀眾(💝)唔知你係情侶。」(🕚)
4K/8Kの高(🏧)解像度による大型映像を(👸)はじめ(🍨)、CMやPV、テレビ番(💀)組(zǔ )、(🍨)さらに(❤)はwebクリエイティヴ(👙)・デザ(🎊)インやグラフィッ(✏)ク方(🈶)面でも(🦎)活躍するIMAGICAイメージ(🚯)ワーク(😐)スと、『ALWAYS三丁(dīng )目(🏂)の夕(🍉)日』シ(🍈)リーズや『永遠の(🙈)0』な(🛣)どの大ヒット作で知ら(🎢)れる映(🥟)像制作(zuò )集団ROBOTがタ(🔅)ッグを(👻)組(zǔ )ん(🏎)で、子どものこ(👱)ろに見(🎬)た夢を失いながら大人に(👒)なり、(🚼)多忙を極めて久(🐣)しい現(🤕)代人(ré(💚)n )の心に、かつての(🎛)あの“想(🌑)い”を蘇らせるSFファ(♋)ンタ(🕗)ジー!
这(📃)部电影的故事背景(🎥)让人(ré(🐛)n )不禁回忆(yì )起《逃出(🏥)(chū )绝(🎂)命镇》。一(🥉)位黑人男性(杰森(🕗)·米切(🗨)尔饰)在周末的时候,因(〽)为觉得(🌚)周围(wéi )只有白人(ré(🚔)n )朋友所(🔨)以(yǐ )觉(❄)得十分紧张。当然(👀),这部作(🏠)品与乔丹·皮尔去年那部(🌽)符合大(🤕)众口味的《逃(táo )出(📹)绝命镇(📠)(zhèn )》不同(🗾)。智利导演塞巴斯蒂(♟)安·席(👨)尔瓦是一个古怪的(🕌)人,他(⛰)的电影(🌝)如《女仆》、《水(shuǐ )晶仙(😻)女》、《肮(💜)脏(zāng )的婴儿》都倾向(💫)于剑(🔪)走偏锋(👬),故事开始会有点怪(🥂)异,而之(♈)后则会变得更加怪(guài )异(🖌)。这种(zhǒ(🛤)ng )风格对于《周末生日(⛰)游》意味(💄)着什么(📊)呢?还不知道。但(💹)我们非(😳)常期待这种不确定性,况且(🚄)演员(yuá(🌛)n )阵容中还(hái )有克(🌬)里斯托(🙈)弗·阿(👏)伯特、迦勒兰德里(💄)·琼斯(🧚),迈克尔·塞拉和安(🌐)·道(💯)德。
阿呆(🈚)(dāi )和阿瓜是(shì )一对(👻)非常(chá(🔮)ng )要好的朋友,他们觉(🕤)得凭(🅿)借自己(🏓)的力量可以修理一(🕸)切,有麻(🐆)烦发生时,只要(yào )开动脑(❌)筋(jīn ),利(🔅)用手边的工具都可(🌸)以搞定(🛳)。人们总(🎸)会被他们的“错误(🎧)”行为逗(🏐)笑,觉得他们有点(diǎn )笨,大部(👰)(bù )分时(🎂)间会(huì )把事情搞(🛫)的更糟(🐋),但是呆(🏀)瓜兄弟总能自己做(⛎)的事情(🅿)中找到“自己的路”,并(⏯)(bìng )对(🕶)自己努(📱)(nǔ )力之后的(de )结果感(🗓)到满意(🧚)。因为他们坚信一句(🏭)话“伟(📩)大的创(⏰)造在最开始的时候(🍔)也不是(😯)完(wán )美的,关(guān )键的是开(👡)始的勇(💾)气”。
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