During the sla
During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.
2012年(🦎)(nián )的叙利亚(⛹)迎(yíng )来了史(📮)上最(zuì )严酷(🍆)寒冬，桑娜只(👿)希望(wàng )找个(♊)煤(mé(🚊)i )气罐(guàn )为儿(🌉)子(zǐ )做一(yī(👤) )顿晚餐。她(tā(🎾) )为了搜寻煤(🧡)(méi )气罐请了(🏰)一(yī )天假，突(⏸)然发(💳)现自己陷入(💺)了战乱(luàn )区(🧔)；她发现(xià(⛲)n )，战争中的(de )人(🛏)们都没有(yǒu )了影子。本(bě(👳)n )片获(🕶)第(dì )75届威(wē(🚼)i )尼斯电(diàn )影(😎)节(jiē )银狮奖(🍎)。
ユミは夫と(💈)娘(niáng )の３人暮ら(🐌)し。近々引(yǐ(🏏)n )っ越しを考(🎵)えている。ユ(🤺)ミは娘(niáng )の(➡)レイナが時(🗃)折うわ言(yá(🧡)n )を発(🍕)することが(🌾)、少々気に(🔭)かかってい(🚮)た。転(zhuǎn )居の(🎦)報告も兼ね(🌡)て友人(rén )ヒ(👄)ロミ(🈴)と久(jiǔ )々に(🕙)再会するユ(🍕)ミ。話題はい(🏑)つしか「あ(🤪)の日」のことに。「私た(⛏)ちが(🐞)埋めた時、(🙍)本(běn )当に死(🧙)んでたのか(🤘)な？」。ユミ(😳)は「あの日」の(👣)ことを清算(👜)すべく、サ(🐸)エ、アコに(🌑)も再会を決(😫)(jué )意し、廃(🎧)墟(xū )のよう(🍽)な家(🥫)(jiā )に一人で(👊)住(zhù )むサエ(🐦)に会(huì )いに(🍢)行(háng )く。サエ(📏)は、見(jiàn )知らぬ少女(nǚ(🍟) )が現(🎃)れて娘(niáng )だ(🕕)と言って聞(🔙)かず、しば(📌)らく一緒に(🤽)暮らしていたが死(sǐ )ん(🕥)だこ(〰)と、そして(🗺)少女(nǚ )は死(🐄)んだままそ(🌬)の家の３階(🚛)に寝かされ(🐯)てい(🤧)るというこ(🕊)とを話し出(😞)す。(C)「黄泉が(🖨)える少女」(🎦)製作委員(yuá(🈸)n )会
本片讲述(🌌)(shù )了(🚇)女主角之(zhī(🥞) )间的竞技对(🍧)(duì )决和爱情(🛃)纠(jiū )葛的故(🐡)事，在生与(yǔ )死、爱与恨(😠)、真(😁)(zhēn )相与谎言(♉)中(zhōng )她们所(😉)发生(shēng )的不(📚)可思议(yì )的(🎆)人生转变。
BOI is a young man just starting out as a private chauffeur. Whilst anxiously awaiting his girlfriend’s decision about a certain life-changing matter, he has to accompany his first ever clients: Michael and Gordon. Two Chinese businessmen who have come to Barcelona with the aim of closing, in under 48 hours, a multi-million dollar contract with an American magnate. They’ll help each other, as they set out together on a journey to the edge, in a world in which dreams wander like an ownerless dog, pistols and prostitutes don’t do what they’re meant to do, and the questions have yet to find answers. But as long as there’s a reasonable amount of blood, then there’s nothing to worry about.
It's summertime in a hot and empty Buenos Aires. Marcela's world is shaken when her sister dies, leaving her completely out of sorts. Still grieving, she must deal with clearing out her flat. One of her daughter’s young friends, Nacho, appears on the scene, eager to help, a presence which leads to shared road trips and adventures. During these confusing days, people and conversations from another time will mingle, prompting questions, while the imminence of everyday life closes in on her.
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