云图电影

A fishing community on a remote Maine island finds itself suddenly cut off from the rest of the world after the ferry stops coming. When people start to vanish, the terrified survivors realize that someone - or something - is hunting them.

In Portugal, a father, a mother and a daughter's daily lives are being subsumed by the effects of the economic crisis.

17歲(suì )的(de )莎拉(lā )全心投入學校的戲劇排練(liàn )，赤裸(luǒ )地體驗(🗃)舞台上和(🧡)生活中的(🚩)(de )暴力。當她試圖揭露深藏心中的(de )醜陋秘(mì )密，高聲呼喊卻孤立無援(yuán )，於是(shì )在莎(🐙)士比亞和(😅)華格納(nà(📚) )的經(jīng )典劇(jù )目(mù )中尋找寄託，她想握(wò )有茱(zhū )麗葉(yè )的(de )匕首，想跟隨伊索德(dé(🌅) )的腳(jiǎo )步(🐬)殉(xùn )情而(🍤)去，當她站上舞(wǔ )台(tái )，她(tā )是否能對世界展開反擊，扮(bàn )演的(de )界線究竟在哪裡？(🐙)

十多岁(suì(🐓) )的米特(tè(📶) )拉是一位雄心勃勃的艺术(shù )家，她(tā )正在完成自己的梦想作品(pǐn )，也就(jiù )是拍摄(💴)一部关于(🏖)埃及(jí )传(🔦)奇(qí )歌手及(jí )女星乌姆·库勒苏姆(mǔ )的电(diàn )影。然(rán )而，为了更真实地刻(kè )画乌(🌃)(wū )姆作(zuò(🌎) )为(wéi )一个(💫)神话、一个女人(rén )和一(yī )位艺(yì )术家的本质，米特拉(lā )把(bǎ )家庭(tíng )放在了事业(⏬)之后，她自(🆎)己(jǐ )的(de )人(🤽)生(shēng )斗争与乌姆的融合在一起(qǐ )，使她(tā )在情感和艺术上面临崩溃(kuì )。

该片(piàn )讲(📬)述了2001年美(🆓)国“911”事件中(💷)(zhōng )，被困(kùn )世贸中心电梯里的人(rén )，求(qiú )生的故(gù )事。

残忍的杀戮在露(lù )营地(dì )展(👚)开(kāi )，这一(📲)切源自于(👮)一个被(bèi )诅咒(zhòu )的面(miàn )具(jù )。这副面具辗转穿梭(suō )于每(měi )个角(jiǎo )色，将唤醒他们(🚛)最深(shēn )沉(🏷)(chén )的欲(yù(📫) )望。本片内容涵盖恐怖、性(xìng )喜剧(jù )甚至是音乐剧，将令观众(zhòng )深陷其(qí )中。

中年(⛷)建築師遇(🔸)上人生(shē(🔱)ng )瓶頸，在家被老婆嫌棄，公司小(xiǎo )開兔死(sǐ )狗烹。失業的他在曼(màn )谷街(jiē )頭驀然(rá(🌗)n )回首，瞥見(🕸)大象Pop Aye，憶(yì(🈶) )起歡(huān )快的(de )童(tóng )年時光，毅然買下大(dà )象，卻發(fā )現都市生活容不下他倆(liǎng )，打(dǎ(❔) )算和老象(💁)一路向北(🙈)返鄉。這(zhè )趟人(rén )與象的公路之旅，途中狀(zhuàng )況不斷(duàn )，所幸萬能的象鼻領著他(tā(🍙) )倆，與(yǔ )沿(👄)路風景相(🍠)伴。《爸媽不(bú )在家》導演陳哲藝監製，阿比查(chá )邦御用(yòng )剪接操刀，看擅長冷(lěng )幽默(🙆)(mò )的才女(💄)(nǚ )導演陳(⚫)敬音，用象鼻(bí )對抗(kàng )中年(nián )危(wēi )機！將泰國鄉下的荒(huāng )涼風(fēng )景，轉變成一首洋(🅾)溢著淡淡(📑)(dàn )霓虹(hó(🎏)ng )光芒的自我蛻變之歌。

Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.