被誉(yù )为“二(🏩
被誉(yù )为“二(🏩)十一(yī )世纪大师(🕦)舞作”的阿(🦈)库·汉(🌚)姆版《吉(jí(🕑) )赛尔》，由英国国家芭(⚽)蕾(lěi )舞(😟)团首演于(🕺)(yú )2016年。演出(🐧)收获了(♍)媒体和评(pí(🈲)ng )论的一致认(rèn )可(🌞)，《独立报》、《每日(rì(😗) )电讯报》和(📅)(hé )《舞台(😈)报》五(wǔ )星好(🌁)评，《泰晤士报》和《卫(💵)报》也(yě )给(👯)出四星(📪)推(tuī )荐。作(🥞)品拿(ná )下了当年的(🌼)奥(ào )利弗奖杰出(🐶)(chū )成就奖(🌇)，阿库·(🐑)汉姆也凭(🕐)(píng )此获得了英(yīng )国(🍧)国家舞蹈奖最佳(🤨)编舞奖(jiǎ(🖼)ng )。被誉为(🥎)“二十一世(🤪)纪大师舞作”的(de )阿库(🌝)·汉姆(📄)(mǔ )版《吉赛(🏨)尔》，由英国(👋)国(guó )家(😩)芭蕾舞团(📺)(tuá(🐗)n )首演于2016年。演出收(🦆)获了媒(méi )体和评(🏔)论的(de )一致(😖)认可，《独(🚿)立报》、《每日(🎭)电讯(xùn )报》和《舞台(⛽)(tái )报》五星(🍏)好(hǎo )评(🥟)，《泰晤(wù )士(🔻)报》和《卫(wèi )报》也给出(🏑)(chū )四星推荐。作品(👉)拿下了当(🤼)(dāng )年的(🌖)奥利弗(fú(🚤) )奖杰出成就奖，阿库(🦁)·汉(hàn )姆也凭此(🚦)获(huò )得了(🐑)英国国(🌵)家舞蹈奖(🤬)最佳(jiā )编舞奖。
老(lǎ(🦈)o )刑警顾(📄)老九接受(➗)上级命令(💤)(lìng )，带领(😠)文楠(nán )和(🐑)方(🌂)小米开办无忧事(🚸)务所(suǒ )掩护身份(🚒)，追查假钞(🍨)案件(jià(🍀)n )。无忧事务(wù(📥) )所表面帮助(zhù )客(😃)户排忧解(🎶)难(nán )，解(🖌)决生活(huó(🚫) )琐事，实则(zé )伺机接(🎆)近假钞(chāo )案件中(🌀)心的(de )万家(😿)。万家(jiā(🍫) )对警方戒(🥞)备心(xīn )很强，由于(yú(🖍) )万董事长卧床不(🐦)起，引发(fā(🌊) )了一系(🍘)列争(zhēng )夺(🤘)家产的风波，万家继(😬)承(chéng )人(💩)相继身亡(🏒)(wáng )，整个公(☝)司都变(🍇)得人心惶(🧢)(huáng )惶。无忧事(shì )务所(⛱)成员逐步渗透，发(🆑)现(xiàn )万家(🤼)每个人(🛷)(rén )都有着不(😶)为人(rén )知的秘密(🕦)。危机再次升(shēng )级(✅)，协助警方(🐟)(fāng )的无忧事务(wù )所(😶)和万家犯(fàn )罪团(🙁)伙的正面(🚍)(miàn )较量(🐊)一触即(jí(🐤) )发……
“假(jiǎ )如音乐(🌁)是爱情(qíng )的食粮(🌆)，请(qǐng )继续(🐱)演奏吧(🎺)！”以配乐著(🧚)(zhe )称并为莎士(shì )比亚(🍼)爱情喜剧《爱的徒(🎎)劳(láo )》及《爱(👤)的(de )胜利(🗺)》（即《无事(👁)生非》）注入无限(xià(♏)n )活力的超人气导(🗓)演克里斯(💽)(sī )托弗(👙)•拉斯(sī )康(🐈)贝（Christopher Luscombe）携创作团(🔮)队重返(fǎn )埃文河(🍻)畔斯(sī )特(🖤)拉福德的皇(huáng )家莎(🔓)士比亚(yà )剧团，执(⏫)导(dǎo )莎翁(⏸)另一部(🕋)滑(huá )稽又(🔼)心酸的(de )单相思爱情(👔)(qíng )故事：
Paraíso Perdido é um clube noturno gerenciado por José(😮) (Erasmo Carlos) e movimentado por apresentações musicais de seus herdeiros. O policial Odair (Lee Taylor) se aproxima da família ao ser contratado para fazer a seguranç(🤡)a do jovem talento Ímã (Jaloo), neto de José(🈵) e alvo frequente de homofóbicos, e aos poucos o laço entre o agente e o clã de artistas româ(🚚)nticos vai se revelando mais e mais forte - com nós surpreendentes.
UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
Summer 1989, East Germany. Adam works as a tailor, Evelyn as a waitress. They are planning a vacation together when Evelyn finds out that Adam is cheating on her and decides to leave for the holiday on her own. She travels to Hungary, trailed by Adam. As the border with Austria falls, everything changes in Hungary. The frontiers are open, as the new possibilities for Adam and Evelyn to decide in which world – Eastern or Western – they want to build a happy life. Adam und Evelyn is based on the homonymous novel by Ingo Schulze, translated in more than ten languages.
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