When everything comes crashing down, two destructive siblings are trying to maintain a balanced psyche.
印(⛺)度每(🖱)(měi )年有(🗻)超(chā(⏰)o )过二万(👼)(wàn )宗(🍲)针对(duì )女性(🌠)的(de )暴力罪(zuì(🕝) )案，平(píng )均每(🏩)二(èr )十二分(fèn )钟就有(yǒu )一名女性被强暴(🛢)，每六小时就(🚟)有一名(míng )妇(🏑)女因(yīn )家庭(🌦)暴(bào )力丧命(🏫)(mìng )。年(💏)轻(qīng )的(🗻)基层(💗)(céng )女警(⏳)索(suǒ(🍃) )妮与上(shàng )司(🌖)卡帕(pà )纳在(🎻)德(dé )里一同(tóng )接手调(diào )查不同(tóng )的女性(xìng )暴力事(shì(🏾) )件，在办案过(🖲)程中往往遭(😔)受到了重大(🐍)阻力(🥣)，无日无(🍮)之的(💨)罪案令(📢)她脾(🈵)气暴躁，做事(😸)方式偏(piān )离(🖖)常规(guī )，被裁(🐵)(cái )定在执(zhí )勤中行(háng )为不当(dāng )，而私(sī )人(🐅)生活(huó )也影(💤)响(xiǎng )到了她(🔮)(tā )的职业表(🌟)现，与丈夫已(🚰)经彼(🚼)此疏离(📄)，却要(🏾)被(bèi )迫(🥅)面对(🍯)(duì )他突然(rá(🚽)n )的到访(fǎng )。印(🎸)度(dù )电影少(shǎo )见的写(xiě )实题材(cái )，以一(yī(🛋) )场一镜(jìng )营(😎)造出(chū )真实(🚳)迫(pò )力，将(jiā(🛩)ng )社会低下层(🤝)女性(🔌)受到压(🌜)迫的(🏛)问题表(📣)露无(⏮)遗。
摄影师王(🍁)树因一次“死(⏩)亡拍摄”获奖(🌖)并一举成名，于此同(tóng )时他也(yě )断送了(le )自(👺)己的(de )摄影生(🐜)(shēng )涯。在(zài )舆(🔓)论的(de )审判下(🛌)(xià )，没有(yǒu )一(👯)家摄(⛴)影公司(🍞)愿意(🏂)接纳他(🎞)，王(wá(📱)ng )树不得(dé )不(🕯)转行(háng )维持(🐒)生(shēng )计，不(bú )想却变(biàn )成了网(wǎng )络爆红(hó(🐂)ng )的“审(shěn )判者(🌡)”，并陷(xiàn )入了(📲)一(yī )宗扑朔(🧛)(shuò )迷离的(de )死(🔯)亡绑(👘)(bǎng )架事(👤)件，踏(👡)上了“心(🔻)灵审(🍠)判”的漫漫长(🍱)路......
It's summertime in a hot and empty Buenos Aires. Marcela's world is shaken when her sister dies, leaving her completely out of sorts. Still grieving, she must deal with clearing out her flat. One of her daughter’s young friends, Nacho, appears on the scene, eager to help, a presence which leads to shared road trips and adventures. During these confusing days, people and conversations from another time will mingle, prompting questions, while the imminence of everyday life closes in on her.
從高峰(🙊)滑落谷底，比(🆎)從未風光過更難受？前曼聯球(qiú )星簡東(🤒)(dōng )拿變身(shē(🐉)n )潦倒過(guò )氣(👁)藝術(shù )家尤(📙)利(lì )西，那(nà(🦐) )種時(👶)不(bú )我(⛺)與的(👲)(de )虛空落(⏭)(luò )寞(🌦)盡在眉宇間(🚼)。藝術學生蒙(🍚)娜(nà )欲拜他(tā )為師，反過來(lái )成了他(tā )重(🙃)生的(de )希望。發(❣)現身(shēn )患絕(👕)症(zhèng )後，他(tā(😴) )由蒙娜(nà )作(🥙)伴，走(🛌)出隱(yǐ(🔦)n )居大(📒)宅(zhái )，尋(📂)訪(fǎ(🏡)ng )當年被他離(🤚)棄的弟弟及(👯)妻兒，坦白致(🏦)歉望求寬恕。感性而不感傷，碧巴達以不慍(🍴)不火的圓熟(🚲)技(jì )巧呈現(🍬)(xiàn )破碎人(ré(🚙)n )生的悲(bēi )喜(🐐)，冷(lě(🧗)ng )不防遇(🈳)(yù )上(👉)慌失(shī )失劫(🧤)匪(fěi )來個黑(👆)(hēi )色幽默，也(🤣)未忘留下孩子的善良，溫(wēn )潤人間(jiān )。
主人(🥏)(rén )公李解(jiě(➕) )拿自己(jǐ )的(👮)传家(jiā )龙坠(🎍)向(xiàng )女友小(😬)(xiǎo )朵(🗒)求婚(hū(✨)n )，却被(🎎)(bèi )倒卖(🏣)古(gǔ(🏯) )玩的安(ān )森(💁)盯上(shàng )。几次(🐪)(cì )偷抢未(wè(🥌)i )果后，安森绑架李解女友，并威胁李解要交(💞)出龙坠，李解(🅿)智斗坏人抱(🗑)得美人归。
The Leprechaun returns once again, when a group of girls unwillingly awaken him, when they tear down a cabin so that they can build a new sorority house.
Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.
During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.
