Set in contemporaSet in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
青年画(👬)(huà )家岸(🌚)春(chūn )自小(xiǎo )在(zà(🐆)i )内蒙(mé(🍎)ng )古长大(dà )，当地(dì(📴) )的风土(🙂)人情造就了他的(🚋)艺术才(🧗)华。然而在他的内(😘)心一直(💁)有(yǒu )着一块(kuài )难(🤮)以抚(fǔ(🥎) )平的(de )伤(🚖)(shāng )痕，过早(📐)缺(quē )失的母(mǔ(👝) )爱让这位(😑)人前光鲜的艺(🎤)术家在情(🍲)感里陷入迷失(💴)，常(cháng )以酒(🈵)精(jīng )为伴麻(má(🚷) )醉自(zì )我(😞)(wǒ )。当(dāng )受(shòu )一(😵)位(wèi )蒙古老(lǎo )人(🏊)所托，为(🤼)他英年早逝的母(🗒)亲画一(🏷)幅肖像，这个母亲(🦑)的肖(xiā(🥨)o )像却怎(zěn )么都画(🔵)(huà )不出(🛢)(chū )神(shén )。对(duì )于母(♉)爱(ài )缺(💺)少感(gǎn )触与理解(🧠)，成了他(🎿)无法落笔的难题(🐤)。心烦意(😚)乱之时(➡)，岸春(chūn )遇(🎾)到了(le )单身妈(mā(🕹) )妈如(rú )西(🏎)(xī )，如(rú )西和儿(🥄)(ér )子的温(🐵)(wēn )情不仅让他(📋)感受到母(💉)爱的温暖也让(🏅)他找寻到(🛃)了爱情的味道(⛄)(dào )。但是(shì )，母(mǔ )亲(♓)(qīn )到底(📡)(dǐ )为(wéi )什么(me )会从(🌩)小(xiǎo )抛(🏡)弃自己，在日日夜(🎺)夜的叩(🚑)问中，也在如西的(🥕)介入下(⏲)，似(sì )乎有了(le )意想(😮)不(bú )到(⏱)的(de )答(dá )案，岸(àn )春(🥟)也(yě )踏(🖲)上寻(xún )母之路。母(👭)亲的肖(⛺)像到底(⛔)能否兑现(🚀)给蒙古老人的(👲)期盼？岁(🚵)(suì )月里母(mǔ )爱(🧙)的真(zhēn )相(🥎)会(huì )怎(zěn )样揭(📲)(jiē )开？原(🔍)(yuán )来，岸(àn )春的(⤵)母亲一直(😘)以一个特殊的(✒)身份出现在他的(🐊)生活里(♓)！面对(duì )时间、面(🙄)对(duì )生(➡)(shēng )命的(de )脆(cuì )弱多(🤘)(duō )变，只(🛣)(zhī )想向岁月祈求(📤)，时光你(🦖)慢些走，让儿子还(🎐)能记下(🤶)母亲的容(róng )颜......
古(✉)代(dài )有(👬)一伙(huǒ )劫富(fù )济(🉑)(jì )贫平(🀄)(píng )乱(luà(👷)n )为民(mín )的(🔓)正义(yì )强盗，与(🕓)一伙无恶(🔻)不作的海盗，共(🔱)同得知一(🍡)条关于宝藏的(🥊)(de )消息，但想(💴)找(zhǎo )到宝(bǎo )藏(⛽)(cáng )必须(xū(😾) )要找到(dào )一位(🚗)女(nǚ )孩，藏宝图与(🌲)开启宝(🔒)藏大门的钥匙在(🈺)女孩的(🎽)手中，但女孩(hái )在(🖲)多年(niá(🤱)n )前已(yǐ )经(jīng )消失(🉑)(shī )在(zà(✴)i )那个(gè )世界，传闻(♓)是穿越(🔵)到了另一个时代(👟)。
年輕媽(😾)媽凱西為了逃離(🐹)家暴(bà(😐)o )的陰影(💽)(yǐng )，帶著(zhe )三(🌈)個(gè )小(xiǎo )孩住(🏮)(zhù )進(jìn )了(🛶)一(yī )幢舊屋(wū(🖊) )。原本以為(🐛)這會是破碎家(💇)庭的避風(🔈)港，沒料到入住(🐔)之後，才是一(yī )連串心(xī(🛴)n )神不(bú )寧(níng )的開(✝)(kāi )始。
古(🔛)(gǔ )代有一(yī )伙劫(🎲)富济贫(🏷)平乱为民的正义(🎃)强盗，与(👊)一伙无恶不作的(🏽)海盗(dà(🛀)o )，共同(tóng )得知一(yī(🤙) )条关(guā(🔡)n )于(yú )宝藏(cáng )的消(🐝)息(xī )，但(🖊)想找到宝藏必须(👘)要找到(🏎)一位女(🛋)孩，藏宝图(🅿)与开启宝藏(cá(🥌)ng )大门的(de )钥(🕣)匙在(zài )女孩(há(㊗)i )的(de )手中(zhō(🍒)ng )，但女(nǚ )孩在多(😻)(duō )年前已(🍈)经消失在那个(⤴)世界，传闻是穿越到了另(📑)一个时代。
When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.详情
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