After his mother's sudden death, Socrates, a 15-year-old living on the margins of Sã(😾)o Paulo's coast, must survive on his own while coming to terms with his grief.
这部现代童(tóng )话(✒)故(gù )事(⛰)围绕一个(gè )女孩(🎅)(hái )在一(🚖)座神秘城(🤾)市(shì )中(🐓)的(de )奇幻(🚙)冒险展开(🚫)。U2乐队主(🏀)唱Bono与维姆·文德(🥝)(dé )斯共(🚦)(gòng )同担任监制(zhì(🕤) )，Bono与(yǔ )威(🌉)利(lì )·纳尔逊操(🤲)(cāo )刀原(🚏)(yuán )声歌曲。
Nina is a mother a little bit crazy, Baptiste a son a little too wise. Angry since a long time they are found for the adventure of their lives. During a trip unlikely, funny and moving, they will catch up the lost time.
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
《驴为(💿)(wéi )媒》故事发生在当下鲁(👮)西大(dà )地上的聊城市，讲(✂)述(shù )的是在京打(dǎ )拼多(🤬)(duō )年的有志青年(🖖)，得知(zhī(😢) )老家惠(📕)民政策后(🏸)(hòu )，回乡(🌽)养驴、带领村民(🔕)脱贫(pí(🍍)n )致富，实现自己(jǐ(😏) )创业(yè(🍟) )梦，并赢得(🌒)(dé )爱情(⏬)(qíng )的故(🍏)事;讲述了(🍌)党(dǎng )的(🌾)精(jīng )准扶贫政策(✒)和乡(xiā(🏝)ng )村振兴战略在齐(👣)鲁大地(🈷)(dì )的生(shēng )动实践(✍)，展(zhǎn )现(⏬)了(le )基层(céng )党员(🥋)干部在(zài )全面(miàn )建成小(📖)康社会进(jìn )程中(zhōng )的“主(🕕)心骨”形象。电(diàn )影《驴为媒(♈)》坚(jiān )持“小成本、(🏥)大(dà )情(⏰)怀(huái )、(😀)正能量”的(🍌)创(chuàng )作(🍤)宗(zōng )旨，紧扣当前(🌂)乡(xiāng )村(👶)振兴和精准扶贫(🐼)主题，将(🙊)(jiāng )社会效(🐩)益、价(🤣)值(zhí )引(👛)领(lǐng )放在(⬇)首位，引(♒)导(dǎo )人们努力实(🎙)现个(gè(👻) )人前(qián )途与国家(♉)命运、(🔟)个体经历与时代(🥊)大潮、(🧘)个体(tǐ )情感与(🏽)国(🥨)家(jiā )情感(gǎn )的同(tóng )频(🌔)共振，激(jī )励人(rén )们向上(❎)向善，自(zì )觉践(jiàn )行社会(🍁)主义核心价值观(🌈)(guān )，讴歌(😟)党、讴(👐)歌(gē )人民(🍸)(mín )、讴(🚜)歌新时(shí )代。
The full-length feature film "Azor", filmed in Mordovia by enthusiasts Victor Chichaykin and Alexander Uchevatkin, was ready a year ago. In autumn of 2017, the creators organized a test show, inviting connoisseurs of ethnography, ancient traditions and people interested in the theme of the history of the Erzyan people.
ユミ(🤶)は夫と(🔣)娘の３人(rén )暮ら(🔇)し。近々(🎑)引(yǐn )っ越(👦)しを考(💠)えてい(👠)る。ユミは(💗)娘のレ(🈶)イナが時折(shé )う(🏒)わ言を(🔕)発(fā )することが(👯)、少々(🐁)気(qì )にかかって(🎁)いた。転(😟)(zhuǎn )居の報告も(😴)兼(🎊)ねて友人(rén )ヒロミと(🤩)久々に再会(huì )するユミ(🍷)。話題(tí )はいつしか「あ(👥)の日(rì )」のこと(🔮)に。「私(📃)たちが(🕎)埋(mái )めた(⌛)時、本(🎻)当に死んでたの(♓)かな？(💠)」。ユミは「あの(📼)日」の(😗)ことを清(⏹)算すべ(🛢)く、サ(🥧)エ、アコ(🛃)にも再(🚹)会(huì )を決意し、(⬜)廃墟(xū(🔊) )のような家に一(🥃)(yī )人で(🤯)住むサエに会い(😞)に行(há(🛌)ng )く。サエは、見(🐱)(jià(🌲)n )知らぬ少女が現れて(👺)娘(niáng )だと言って聞かず(🖱)、しばらく一緒に暮ら(🍞)していたが死ん(📱)だこと(㊗)、そし(❌)て少女は(🍐)死んだ(㊗)ままその家の３(😳)階(jiē )に(🦗)寝かされている(🐖)という(📹)ことを話(🈺)し出す(👥)。(C)「黄泉(👙)がえる少(🛌)女」製(💗)作委員会
印度(dù(⌚) )每年有(🐄)超过二万(wàn )宗针(🐿)(zhēn )对女(⛔)性的暴(bào )力罪(zuì(🎹) )案，平均(♉)每二十(shí )二分(🌝)(fè(🏘)n )钟就有一名女性(xìng )被(🐨)强暴，每六小时就有(yǒu )一(😀)名(míng )妇女因家庭(tíng )暴力(🍌)(lì )丧命(mìng )。年轻的(🛣)基(jī )层(😝)女(nǚ )警(🕚)索妮与上(🐑)司卡(kǎ(🐹) )帕纳(nà )在德里一(🛴)同接手(⛵)调查不(bú )同的女(💶)性暴力(💟)事(shì )件，在(😦)办案过(🥅)程(chéng )中(🤐)往(wǎng )往遭(🥟)(zāo )受到(🙁)了重大(dà )阻力(lì(🤝) )，无日无(🌖)之的罪(zuì )案令她(🗃)脾气暴(🚀)躁，做事方式(shì )偏(🈶)离常规(⏺)，被裁(cái )定在(zà(🐚)i )执(🍓)勤中行为(wéi )不当(dāng )，而(🕔)私人生活也(yě )影响(xiǎng )到(🕣)了她的职业表(biǎo )现，与丈(🐘)夫已经彼此疏离(🔍)，却要被(🧤)迫面对(🏾)他(tā )突然(🕓)(rán )的到(🌔)访。印(yìn )度电(diàn )影(💾)少见的(🤪)写实题(tí )材，以一(💓)场一镜(💥)营造出真(🗂)实迫力(👅)，将社会(🐦)低(dī )下层(🧢)(céng )女性(🔪)受到压(yā )迫的(de )问(🏭)题(tí )表(😗)露无遗。
從高(gāo )峰(⛅)滑落谷(🛬)底，比(bǐ )從未風光(🧕)過更難(🍾)受？前曼聯(liá(🥣)n )球(💚)星簡東拿變身(shēn )潦倒(🥘)(dǎo )過氣藝術家(jiā )尤利(lì(🚠) )西，那種時不我(wǒ )與的(de )虛(👚)空落寞盡在眉(mé(🚐)i )宇間。藝(⏰)術學生(➖)蒙娜欲拜(📮)他(tā )為(🥑)師，反過來成(chéng )了(🍤)他(tā )重(🕹)生的希望(wàng )。發(fā(🛎) )現身患(👻)絕症後，他(🔓)由(yóu )蒙(📩)娜作伴(🖲)，走出隱居(🌦)大宅，尋(🗾)訪當年被(bèi )他離(🔨)(lí )棄的(🏧)弟弟及(jí )妻兒(é(✨)r )，坦(tǎn )白(⤵)致歉望求(qiú )寬恕(🔁)(shù )。感性(🔫)而不感傷(shāng )，碧(🍸)巴(💿)達以不慍不火的圓熟(🍲)(shú )技巧呈現破碎人(rén )生(🍐)的(de )悲喜，冷不(bú )防遇(yù )上(👓)慌失失劫匪來(lái )個黑(hē(⛷)i )色幽默(📠)，也未忘(wà(🏇)ng )留下孩(🚪)子的善良，溫潤人(🐃)間(jiān )。
Risking their life, they climb on narrow mountain paths every day, carrying 40 kg of goods on their back. Every mistaken step may chance upon a landmine. They are hunted like wild animals. And in the name of what? To earn just 10 dollars a day!?
