Office misfit
Office misfit Darlene Henderson, AKA "Kitty", takes her cat obsession to perverted and supernatural places, dragging her hapless co-workers John and Janine down dark and feral alleyways of murder and lust.
“儿(😂)(ér )童村”是(shì(🐠) )一个(🎁)全(quán )部(bù )由(📡)孤儿(🙊)(ér )组(zǔ )成的神秘(📧)(mì )组织，在(zài )黑势(🈸)力的(de )推动下一(yī(➕) )次又一次地犯下(💶)不可饶恕的罪孽(💪)，他们十年前犯下(🙎)一起灭门案让雅(🐃)凡成(🐍)为遗孤。年幼(🍉)的她(🔯)隐忍十年，决心让(💕)这群凶手血债血(🔣)(xuè )偿。雅凡(fán )以一(⛪)桩离(lí )奇的奸杀(🍘)(shā )案为借口(kǒu )混(🥍)入“儿(ér )童村”内(nè(🏦)i )部，她的(de )美(měi )貌及(📙)火(huǒ(🧜) )辣(là )吸引了(🎀)(le )整(zhě(📚)ng )个“儿(ér )童(tó(🧟)ng )村”的(🌜)(de )男(nán )人，上(shàng )演(yǎ(🥏)n )了一场(chǎng )一(yī )女(💸)对五男(nán )的精彩(🤩)扑(pū )杀。兄弟(dì )反(🔝)目、强(qiáng )奸未遂(🛑)、贩毒被捕、跳(⏬)楼自杀，复仇手段(🔙)不断(🤪)升级……
由(🐞)于Sara处(🎭)在不可思议的行(🅱)为的风口浪尖，一(⭐)个无法预料和尴(➰)尬的遭遇使她有(♐)机会(huì )目睹她的(🤚)(de )破坏行为(wéi )的潜(☝)在后(hòu )果。 但这(zhè(📊) )是第(🐋)二次(cì )机会(📫)还是(🌏)(shì )承(chéng )认有(✨)罪(zuì(⬅) )？
人據說(shuō )一(yī(🛄) )生最多(duō )有(yǒu )十(🥎)萬條(tiáo )頭(tóu )髮，每(😤)(měi )一(yī )條頭髮(fà(🦇) )質(zhì )感長度有(yǒ(😚)u )異，但都(dōu )承載著(🚀)煩(fán )惱的回憶(yì(📊) )。「時(🏙)光理髮」剪(🈚)掉的(😶)不只是頭髮，還有(📁)街坊不快的記憶(🍣)。行將式微的舊式(💛)廣東理髮店店主(🌃)海泉叔指望兒子(🖲)長發繼承衣缽，不(⛓)過兒子(zǐ )卻更想(🥓)當(dā(🏩)ng )文青，希(xī )望(🍺)透過(❣)文(wén )字和音(🐈)樂(lè(📖) )改變世界(jiè )。一次(🕊)意(yì )外(wài )，長發(fā(💑) )被(bèi )迫代父(fù )親(🎹)(qīn )落場當(dāng )師(shī(🚎) )傅，透(tòu )過(guò )理髮(🗿)為(wéi )街(jiē )坊排憂(⛔)(yōu )解(jiě )難，更與(yǔ(👽) )離家(🙏)出走(zǒu )少女(♉)相遇(⬇)(yù )相知，重(chóng )新反(🏣)思自己的前路。傳(👊)統理髮店交織舊(🕗)區鄰里人情，《點五(🙄)步》男角岑珈其化(🎨)身理髮店傳人，演(❣)出清新自然。
青年(🎣)季诺在办完母亲(🚙)的(de )丧(🥄)礼后，动身寻(💾)找(zhǎ(🚔)o )当年抛弃(qì )妻子(🥘)的渣(zhā )父，却只(zhī(🦂) )找到疑似(sì )小(xiǎ(🧢)o )三的肚(dù )皮(pí )舞(🏉)娘萝(luó )拉(lā )。殊不(⛽)(bú )知(zhī )这位美(mě(🍱)i )丽(lì )的小三(sān )，二(💲)十五(🤚)(wǔ )年(nián )前就(🚷)是季(🥍)(jì )诺要找的(de )「他(🕳)」。萝拉当年(nián )的(🙅)绝情缺(quē )席，让季(🛹)诺难以释怀。面对(🐊)毫不知情的儿子(🎛)，萝拉尽管心慌，也(📴)尽其可能用现在(🌹)的模样爱他。几次(💰)互动(🛏)下来，季诺的(🗂)心逐(🚞)渐(jiàn )柔软起来(lá(🍆)i )。重塑自(zì )己且活(🔸)得(dé )精彩的萝(luó(🚳) )拉，究竟(jìng )会不会(🚙)和(hé )季(jì )诺出柜(🖋)(guì )，坦承自(zì )己(jǐ(🧡) )的人生(shēng )故(gù )事(🤮)？
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
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