一对(duì )情侣(l/
一对(duì )情侣(lǚ(🥔) )外出(chū )度假，入(🤰)住豪宅，然而，当(🎈)他们半夜(yè )醒(✖)来，却发(fā )现自(🚣)(zì )己躺(tǎng )在一(🌵)个处处(🈯)充斥着(🎸)恐怖氛(🎒)围的荒(⏮)弃诡(guǐ(🚏) )宅(🖐)(zhái )中……他(🏉)(tā(👒) )们意(yì )欲逃(🚄)(táo )离，然而却始(💚)终逃不出去，努(🙅)力奔逃，但逃(tá(🐇)o )往的(de )地点(diǎn )却(🐫)还(hái )是这所诡(😒)异的荒宅……(💊)更恐怖的是，当(🍫)(dāng )他们(men )再度(dù(⏳) )回到(dào )这座(zuò(🐐) )诡宅，却发现，时(🈁)间跟他们走出(🗄)去的时(shí )间，一(🥫)样(yàng )……
拉敏(🐢)，一个在墨西哥(🚼)的伊朗移民，背(⛅)(bèi )负着他(tā )的(💺)过(guò )去(♒)：字面(🛳)(miàn )上，以(📸)韦尔斯(📇)的形式(⏯)。在(🚢)Luci_rnagas，一个Skype对话(huà(🚁) )显(🐬)(xiǎn )示他(tā )已(🙉)经(jīng )把他(tā )的(😩)男(nán )朋友留在(🚩)土耳其了。
Siblings torn apart by the hazards of life meet in Spain to settle the family's modest inheritance. Gustave, the mover, on the brink of bankruptcy, Jules the anarchistic activist, and Lou, the youngest, lost between her brothers, yearning for the unknown. Each one has a different outlook on life and their personal projects for this inheritance will reawaken family disagreements and phantoms of the past.
银行(☕)经理雅各布(弗(🤮)(fú )兰克(kè )·格(👜)(gé )里罗(luó )饰)的(😠)(de )同事被暴徒夺(🐠)去生命，而他将(💜)和警察(布(bù )鲁(🔑)斯(sī )·威(wēi )利(🚲)斯(sī )饰)联手制(🛤)服凶手。
Risking their life, they climb on narrow mountain paths every day, carrying 40 kg of goods on their back. Every mistaken step may chance upon a landmine. They are hunted like wild animals. And in the name of what? To earn just 10 dollars a day!?
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
两个在(😳)丹麦穷途末路(🥁)的小(xiǎo )偷古(gǔ(🔡) )飞宇(yǔ )和贝(bè(🕔)i )永新，为了还清(📊)黑帮老大李的(🛅)赌债，本(🏢)想盗(dà(👌)o )走最(zuì(🎈) )后一(yī )票却(què(🤙) )卷(🔪)入了一场古(🦕)堡(⏫)遗产争夺战(❗)中，遇到(dào )了(le )本(🉑)以(yǐ )为是(shì )古(👮)堡(bǎo )合法(fǎ )继(🏆)承人的莫巧雨(🧤)。在和莫巧雨一(🍣)起躲避(bì )李的(🚸)(de )过程(chéng )中发(fā(🆖) )现了(le )古堡背后(🍤)的秘密和莫巧(🔙)雨真实的身份(🚒)。
Goliat is set in a small industrial town somewhere in Sweden. When Roland is sentenced to prison, his son, 17-year old Kimmie, is expected to provide for the family by taking over his dad's criminal business. This is a task he's not ready for. The film's depicting a boy's brutal entry into adult life and examines aspects of social heritage and patriarchal structures, at a time when the welfare is declining and Sweden is changing.
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