During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.
On a trek to find the world's rarest tree, Dylan and his friends descend into harsh ravines and canyons. As the wilderness closes in on them they come face to face with hard truths about friendship, unrequited love, and the consequences of letting go of the past.
两个在丹(⭐)(dān )麦(🥧)穷途(tú )末路(🛏)的小(🦕)偷古飞(fēi )宇(🍲)(yǔ )和(🛴)贝永新，为了(💳)(le )还清(🎂)黑(hēi )帮老大(🦓)李的(🏙)赌债(zhài )，本想盗走(🕺)最后一票却卷(juà(🔰)n )入(rù )了一场古堡(🍿)遗产(chǎn )争夺战(zhà(🥊)n )中，遇到了本以(yǐ )为(wéi )是古堡合法继承(👉)人的莫(mò )巧雨。在(💐)和莫巧雨(yǔ )一起(🛵)躲(duǒ )避李的过程(🍑)中发(fā )现(xià(㊗)n )了古(🌋)堡背后的秘(⏬)(mì )密(🗯)和莫(✝)(mò )巧雨(🤰)真实(⏸)的身(📌)份(fèn )。
The full-length feature film "Azor", filmed in Mordovia by enthusiasts Victor Chichaykin and Alexander Uchevatkin, was ready a year ago. In autumn of 2017, the creators organized a test show, inviting connoisseurs of ethnography, ancient traditions and people interested in the theme of the history of the Erzyan people.
印度每(📯)年有(🎩)超过二万宗(🐥)(zōng )针(🧕)(zhēn )对女性的(📲)暴力(🚺)罪(zuì )案，平(pí(🧔)ng )均每(♟)二十二分钟(🔔)(zhōng )就(🛏)(jiù )有一名女性被(🥉)强(qiáng )暴，每(měi )六小(🍥)时就有一名(míng )妇(💩)(fù )女因家庭暴力(👽)丧命。年(nián )轻(qīng )的基层女警索妮(nī )与上(📛)司(sī )卡帕纳在德(🕷)里一(yī )同(tóng )接手(🔟)调查不同的女性(💈)暴(bào )力事件(🎪)，在办(🥁)案过(guò )程中(🌳)往(wǎ(🌔)ng )往遭(🖖)受到了(💌)重大(🛀)(dà )阻(😾)(zǔ )力，无日无(🤓)之的(🗄)(de )罪案令(lìng )她(📐)脾气(⬛)暴躁，做(zuò )事(😿)(shì )方(💞)式偏离常规(🍈)，被裁(⚽)定(dìng )在(zài )执(🦐)勤中(⚪)行为不当(dāng )，而私(🎉)(sī )人生活也影响(🥍)到(dào )了(le )她的职业(🚝)表现，与丈夫(fū )已(😆)经彼此疏离，却(què )要被迫面对他突然的(👟)到(dào )访(fǎng )。印度电(⚪)影少见(jiàn )的写实(🤤)(shí )题材，以一场一(💳)(yī )镜(jìng )营造(🛩)出真(✌)实迫力，将社(🔮)(shè )会(💡)低下(🔔)层女性(❤)受到(⬛)(dào )压(👝)迫的(de )问题表(🗿)露无(🍳)遗。
德(dé )蒙特(🍊)·莫(🍪)罗尼、理查(🍏)德(dé(🛡) )·哈蒙加盟(🎫)惊悚(🍧)(sǒng )片(piàn )[千次(🏫)伤我(🔰)心]。该片根据(jù )丹(🏝)(dān )尼尔·沃特斯(❌)的(de )同名小(xiǎo )说改(😅)编。斯科特(tè )·斯(🧤)皮尔([舞出我人(rén )生4])执导(dǎo )，贾森·福克(👌)斯(sī )编(biān )剧，贝拉(🕍)·索恩主演。该(gā(🚹)i )片设定于洪水劫(📏)(jié )难之后(hòu )，鬼怪(📕)族群“残(cán )渣(😼)(zhā )”出(➕)现。多年后，这(🎞)些(xiē(😖) )族群(📄)恐吓年轻女(😲)子(zǐ(🎅) )(索恩饰(shì ))，而(🛃)她必(🆑)须冒险(xiǎn )找(🤡)(zhǎo )到(👶)生存之路。
“没(📹)有名(🐁)(míng )字的我，没(🖖)有未(👩)(wèi )来(lái )的她”
明朝(🕐)年间，兵部(bù )尚(shà(👚)ng )书麾下的百户段(🔎)(duàn )天昊为(wéi )查出(🎙)倭寇与阉党(dǎng )勾(gōu )结销赃的证据，加入锦(jǐn )衣卫，几年来(😟)一(yī )直(zhí )潜藏在(🚴)太监总管张公公(🦈)(gōng )身(shēn )边。就在他(🧗)终于(yú )得到(💊)线(xià(🥘)n )索，准备与多(❇)年(niá(📁)n )兄(xiō(⏱)ng )弟总旗苏子(🎼)峪里(🔄)应外合(hé )抓(🐱)住犯(🧙)人时，兵部(bù(🦓) )尚书(🥡)刘(liú )大人得(⛵)到阉(💶)党利(lì )用(yò(🌸)ng )倭寇(🐝)陷害福州知(zhī )府(💮)的线(xiàn )报，并派出(👄)段天(tiān )昊(hào )的弟(💬)弟段天麟到倭寇(🛂)处(chù )卧底。段天昊与苏(sū )子峪只(zhī )得放弃到手的功(gōng )劳(🤬)(láo )，前往福州，却(què(🕉) )不曾料(liào )到竟是(👷)一场有去(qù )无(wú(🦋) )回的凶险之(😟)旅。
遭(🎾)到友(yǒu )人(ré(🔔)n )設局(🏦)而欠(💌)下大筆(bǐ )債(🖍)務的(🤑)(de )張父，逼不得(🚍)已(yǐ(🧟) )帶(dài )著一家(🕵)四口(🧚)承租花蓮的(🎠)(de )一處(🐴) 凶宅，此處過(🍾)(guò )去(🥣)曾發生了駭人聽(📻)聞的(de )五(wǔ )子命案(👲)。初入凶(xiōng )宅的當(🗳)(dāng )天，一些若有似(🎹)(sì )無(wú )鬼影幢幢(🐝)，加上張父突(tū )如其來的搬家舉動(dòng )，惹(💱)的(de )張母與大姊心(💃)裡(lǐ )不(bú )愉快。即(🎙)使向張(zhāng )父抱怨(⚪)(yuàn )，鐵齒的張(🚼)父以(🔃)(yǐ )一(yī )貫不(💮)信鬼(🦏)神的(🛂)態度，予(yǔ )以(🖤)(yǐ )拒(🚦)絕。
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
