印度每年(nián )有&
印度每年(nián )有超过二万宗针对(duì )女(nǚ(🕕) )性(🛁)(xì(🔌)ng )的(de )暴(bào )力(lì )罪案，平均每二十二(📊)分钟(🏍)就(🧒)有(🙈)一名女性被强暴(bào )，每(měi )六(liù )小(xiǎo )时就(💓)有一(⏯)名妇女因(yīn )家庭暴力丧命。年轻(👡)的基(🗃)层(😧)女(🎴)警(🕕)索妮与(yǔ )上司卡帕纳在德里(lǐ(👈) )一(yī(🤴) )同(tó(🌞)ng )接(jiē )手(shǒu )调查不同的女性暴力事件(🚝)，在(🎿)办(👗)案(💻)过程(🏽)中往往(wǎng )遭(zāo )受(shòu )到(dào )了(🏕)(le )重(chó(🚗)ng )大阻(🥝)力，无日无之的罪案令她脾气暴躁，做事(🍢)方(🛅)式(🌓)偏离(lí )常规，被裁定在执(zhí )勤(qí(📏)n )中(zhō(😆)ng )行(👍)(há(♍)ng )为(wéi )不(bú )当，而私人生活也影响到了她(🤶)的职(🔫)业表现，与(yǔ )丈(zhàng )夫(fū )已(yǐ )经(jī(🐭)ng )彼此(😟)疏(🌷)离(🤾)，却(🌮)要被(bèi )迫面对他突然的到访。印(🐬)度电(👢)影少(🛫)见的(de )写实题材，以一场(chǎng )一(yī )镜(jìng )营(📲)(yí(🚃)ng )造(⏹)(zà(🚿)o )出真(🚠)实迫力，将社会低下层女性(🌊)受到(⏱)压迫(🚆)的问(wèn )题(tí )表(biǎo )露(lù )无(wú )遗(yí )。
“假如音(🍛)乐(🈁)是(🏻)爱(ài )情的食粮，请继续演奏吧！”以(🏌)配乐(🐓)(lè(🙇) )著(😐)称并为莎士比亚(yà )爱(ài )情(qíng )喜(xǐ )剧(jù(💹) )《爱的(🃏)徒劳》及《爱的胜利》（即《无事生非(💳)》）注(🏐)(zhù(⏱) )入(💪)(rù(😡) )无(wú )限活力的超人气导(dǎo )演克(🖱)里斯(🔯)托弗(🤜)•拉斯康贝（Christopher Luscombe）携创作团(tuán )队重返(📊)埃(㊗)文(⛱)河(🥂)畔斯(📉)(sī )特(tè )拉(lā )福(fú )德(dé )的皇(✔)家莎(🧖)士比(🤤)亚剧团，执导莎翁另一部滑稽又(yòu )心(xī(⏬)n )酸(🕴)(suā(🚫)n )的(de )单(🏢)(dān )相(xiàng )思爱情故事：
Summer 1989, East Germany. Adam works as a tailor, Evelyn as a waitress. They are planning a vacation together when Evelyn finds out that Adam is cheating on her and decides to leave for the holiday on her own. She travels to Hungary, trailed by Adam. As the border with Austria falls, everything changes in Hungary. The frontiers are open, as the new possibilities for Adam and Evelyn to decide in which world – Eastern or Western –(🗳) they want to build a happy life. Adam und Evelyn is based on the homonymous novel by Ingo Schulze, translated in more than ten languages.
印度(🧜)每(🏌)年(🐕)有超过二万宗针对女性的暴力罪案，平(🎃)均每(🎥)二(èr )十(shí )二(èr )分(fèn )钟(zhōng )就(jiù )有(👢)一名(🥊)女(🤯)性(🐰)被(🐽)强暴，每六小时就有一名妇女因(⚫)(yīn )家(😙)(jiā )庭(🛺)(tíng )暴(bào )力(lì )丧命。年轻的基层(céng )女警(😩)索(🎯)妮(🛣)与(🥤)上司(🅾)卡帕纳在德里一同接手(shǒ(🈲)u )调查(📜)不同(🥒)的女性暴(bào )力(lì )事(shì )件(jiàn )，在办案过程(🗡)中(💓)往(📹)往遭(🖲)受到了重大阻力，无日无(wú(🎯) )之(zhī(🎉) )的(😵)(de )罪(🥥)(zuì )案(àn )令(lìng )她脾气暴躁，做事(shì )方式偏(🏹)离常(🍽)规，被裁定在执勤中行为不当，而(🔚)私人(😸)生(🐪)活(🍺)(huó(⏸) )也(yě )影(yǐng )响(xiǎng )到(dào )了(le )她的职业表现(💓)，与丈(💓)夫已经彼此疏离，却要被(bèi )迫(pò )面(mià(🖐)n )对(🗜)(duì(🗿) )他(🏊)(tā )突(🤴)然的到访。印度(dù )电影少见(😣)的写(🎍)实题(👙)材，以一场一镜营造(zào )出真实迫力，将社(✖)(shè(🌹) )会(👣)(huì )低(🤔)(dī )下(xià )层(céng )女性受到压迫(😒)的问(🚚)题(🥞)表(🚊)露无遗。
藝術家自古皆(jiē )寂(jì )寞(mò )或(huò(😋) )許(xǔ(✊) )是(shì )境界，人到中年萬(wàn )事憂則(🌆)是現(💉)實(🍚)。在(🕟)畫(🐝)室洋洋灑灑呈現自由雄風的裸男畫(🍪)(huà )作(🥘)(zuò )令(lìng )他(tā )一(yī )舉(jǔ )成名，在家面對(🧗)前(🌇)妻(🍁)懷(🎀)着新(❄)歡骨肉、與女兒相(xiàng )處(chù(🦗) )尷(gā(❤)n )尬(gà(👤) )卻(què )令他一籌莫展。貝(bèi )蒙特的寂寞，在(💵)於(🐘)如(🗯)何在(👪)著名畫家與單(dān )親爸爸雙(☔)重身(🎬)份(🛬)、(📢)藝(yì )術(shù )創(chuàng )作(zuò )與家庭生活之間取(🗞)得平(😗)衡。維羅（《電影就在(zài )街(jiē )角(jiǎ(💜)o )》，35 屆(jiè(🐌) )）(🧒)找(📈)來(♒)合作多年的(de )編劇兼美指好友對號入(🥔)座，還(🏵)原藝術家有血有肉的矛盾(dùn )本(běn )性(🍱)(xì(⏱)ng )，在(🔒)(zà(🅱)i )出(chū )世與入世的兩難外，毋忘點(🔛)點超(🖼)現實(🐮)的幽默。
南(nán )宋(sòng )时(shí )汉(hàn )水流域河盗(🧥)猖(😻)獗(🤢)，朝廷(🚚)为剿灭匪患派出“横江军”精(🎁)英章(🅾)(zhāng )盖(👎)出任特使，稽查(chá )河(hé )上(shàng )大(dà )案(àn )。查(💪)案中(🗨)与退役军人莫客偶遇，二人在误(⬜)会中(⏲)建(🤪)(jià(🆑)n )立(lì )友(yǒu )谊(yì )。恰逢莫客亲人女孩(hái )玉(🤞)佩被(💖)河盗掳走，二人携手救出玉佩和被拐(☕)儿(🏙)童(🚟)，将(🏧)河盗(dào )正(zhèng )法(fǎ )，还(hái )一方平安(🗒)。
威尼(🤛)斯國(👣)際電影節參展作品
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
“我的(de )一(yī )生(shēng )中(zhō(🔦)ng )只(📮)(zhī(😊) )害怕(🔧)一件事，就是有一天，黑色会(✔)吞没(🐧)红色(🤢)。”
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