Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.
ユミは夫(fū(💤) )と(🤠)娘の３人暮らし。近々(♒)引(🚼)っ越しを考えてい(🔗)る。ユ(🌳)ミは娘(niáng )のレイナ(♈)が時折うわ言を発(🕊)す(🔙)る(🕢)ことが、少々気に(🐐)か(🔐)かっていた。転居の報告(📼)も兼ねて友(yǒu )人ヒ(🌨)ロミ(🤴)と久々に再(zài )会す(🐀)るユミ。話題はいつ(✋)し(💉)か(♌)「(📦)あの日」のことに(♟)。「私(🤝)たちが埋めた時、(🎚)本当に死んでたの(🔴)かな(⛏)？」。ユミは「あの(🔚)日(🔠)」のことを清算(suàn )す(🔟)べ(🌭)く、サエ、アコに(🐁)も再(🚰)会を決(jué )意し、廃(😮)墟のような家に一(🌡)人(😳)(ré(🎅)n )で住むサエに会(huì(📋) )い(🏙)に行く。サエは、見知ら(🎭)ぬ少女が現(xiàn )れて(💖)娘だ(👽)と言って聞(wén )かず(⏫)、しばらく一緒に(😱)暮(🕵)ら(🐨)し(📜)ていたが死んだこ(🍌)と、(😘)そして少女(nǚ )は死(🐔)(sǐ )んだままその家(❤)の３(🎒)階に寝かされてい(🏄)る(🛥)ということを話し出(🕖)す(🥊)。(C)「黄泉(quán )がえる少(🔧)女」(🍿)製(zhì )作委員会
本故(🐎)事讲(jiǎng )述的(de )是上世(🎋)纪(✉)90年(🥝)代末(mò )发生(shēng )在陕(⬆)(shǎ(♿)n )西关中农村(cūn )的童(tóng )年(🎐)故(gù )事。在以成绩高(❗)低作(😧)为评判学生好(hǎo )坏(💦)的(de )环境(jìng )中，小学生(🆎)(shē(⛰)ng )巴(🌪)王(💎)(wáng )超过(guò )在老师与(🏹)家长(🎎)的眼中(zhōng )是那种不(🏨)学无术的(de )“渣(zhā )滓”。得(🤱)不(bú(💭) )到家(jiā )长和(hé )老师(⛑)认(🐥)同的巴王超过(guò )，将田(🏨)野(📱)里一棵可(kě )以栖(qī(🗡) )息的(🎥)大树变成了(le )自己(jǐ(🏺) )的“好地方”，并将(jiāng )所(📄)有(📭)“好(🏮)玩”的东西都(dōu )藏在(✊)了(🚟)那棵大树(shù )的上(shàng )面。孩(⚪)子的天性(xìng )，让(ràng )巴(🥉)王(wá(🎇)ng )超过与成人世界充(🗳)满了斗争，直到有一(🦎)(yī(🐇) )天(🔐)，他(🏁)的处境因(yīn )为前(qiá(🏡)n )来支(💁)(zhī )教的粉提老师而(🎽)改变(biàn )了！粉提老师(🍫)让他(🔻)(tā )负责(zé )班级里的(🛵)图(🤦)书管(guǎn )理员(yuán )，同时他(🕢)也(🤭)与女老师(shī )成了好(🥩)朋友(🎠)，他的(de )“好(hǎo )地方”也成(😆)了女(nǚ )老师(shī )的“好(😥)地(🌹)方(🌎)”。然而(ér )好景不长，他(🙀)在(🚭)粉提老(lǎo )师面前特殊的(💲)待(dài )遇，又因(yīn )为粉(🛌)提老(🤙)师(shī )的男(nán )朋友(yǒ(🍡)u )的到来而改变了…(👸)…(🏸)
大(🍭)龄(🚅)未婚青年：麦(mài )圣(🤐)男(ná(📝)n )（于谷鸣饰(shì )）、(🥀)魏唯(wéi )（王钰饰）(🗺)和韩(🚚)笑（唐昕）在假期(🏯)聚(📢)首(shǒu )，三(sān )人为了给前(😵)去(📩)参(cān )加音(yīn )乐交流(🍉)赛的(🗣)夏小亦（美加佳饰(🥪)）凑应援(yuán )团，在“出(💪)租(😂)情(⏸)侣”的网(wǎng )店下(xià )了(🍸)订(🏩)单。机场内(nèi )一番啼笑皆(🦀)非的“认亲(qīn )”后，一行(🏬)人踏(🏠)(tà )上了(le )前往(wǎng )威海(🎞)的旅程(chéng )。旅(lǚ )行中(😦)(zhō(🧕)ng )，中(💈)韩(💷)混血吉秀贤（袁昊(🗨)饰）(📘)对韩笑暗(àn )生好(hǎ(🔢)o )感，但心思(sī )细腻(nì(🐅) )的他(🎼)(tā )发现，其实麦圣男(🧐)与(🎙)(yǔ )韩笑情愫已生，只(zhī(➿) )欠(💢)东(dōng )风，凭着极高的(👝)(de )职业(😆)(yè )操守，他决定暗中(🍳)推(tuī )波助澜，上演一(😤)出(🚕)(chū(🥢) )动人(rén )心弦的攻爱(🚷)大(🧗)计(jì )划。几番(fān )起伏曲折(⏮)，圣男(nán )终于鼓起勇(🤬)气浪(🥁)漫告白(bái )，赢得了韩(🤷)笑的(de )“美(měi )人心(xīn )”。
曾(🌴)經(🗳)意(🐝)(yì(🏝) )氣風(fēng )發的(de )刑警豪(💆)哥，數(📋)年前因一樁殺妻案(🥑)的偵辦(bàn )疏失(shī )而(🕣)遭受(🍱)打擊(jī )，再(zài )也不(bú(😈) )到(🚱)前線偵辦。突如其(qí )來(🏭)的(🆘)『未成年少女(nǚ )砍(🕵)人(ré(🌧)n )案』，卻再度將(jiāng )他(💓)捲(juǎn )入深黑的漩渦(🦑)中(🌟)。
Jean Barreau leads a spiritual commune on the countryside and promises his followers a chance for a second life. When their doubles arrive at the house, the followers learn that Jean meant his promise of a second life quite literally.
如(🎌)(rú )果你有了一个不(🔕)能(🔄)(néng )说的(de )秘密，你会选择(zé(🌕) )如何(hé )保守(shǒu )呢？(👭)目睹(🧡)了一起(qǐ )杀人案的(✋)小护工墨墨，和绯闻(📱)缠(😢)身(🍶)的(🎰)喜(xǐ )剧明(míng )星大(dà(🔑) )奎都(🚁)选择了(le )同一(yī )个地(👴)(dì )方——郊外别墅(🥗)。这里(🤺)是墨墨曾经工作(zuò(🔹) )过(🐏)的(de )一户人家，当时(shí )主(🚡)人(💙)(rén )曾允许她不时来(💩)暂住(🕳)(zhù )，碰巧，这家的主(zhǔ(😨) )人就(jiù )是大奎的奶(💜)奶(💩)。两(📊)个(gè )无处可去又要(😈)保(👑)守秘(mì )密的人就这样在(🐾)别(bié )墅里(lǐ )相遇了(🤭)。为了(💯)守(shǒu )住自(zì )己的(de )秘(♎)密，以防对方(fāng )出去(🐱)乱(🌎)说(📟)话，两人只好(hǎo )展开了(🔍)互相(🎠)提防(fáng )又令(lìng )人啼(👭)(tí )笑皆非的同(tóng )居(🚺)生(shē(😝)ng )活。二人在吵吵闹闹(📐)的相处中，从最开始的(📵)(de )相(🙈)看(🔈)(kàn )生厌，到慢(màn )慢发(🙂)(fā )现(🏖)彼(bǐ )此身上的优点(🍱)，渐生(shēng )好感。谁知这(🕴)时，大(🚢)奎(kuí )的绯闻女友带(🚢)着(📹)(zhe )一众(zhòng )记者找了过来，想(🧠)跟(gēn )大奎坐实恋情(🥏)，不(bú(🚐) )然就(jiù )不走了。别墅(♊)被(bèi )各路(lù )媒体(tǐ(💵) )记(💳)者(💂)包围了，墨(mò )墨十分担(💋)心地(🚪)看向大奎……
20世纪(🐒)福克斯(sī )最近(jìn )买(🍥)下(xià(🕖) )了Alma Katsu下部小说(shuō )《饥(jī(🏼) )饿》（The Hunger）的电影版权，这(📋)部(🦐)小(♏)说以《行尸走(zǒu )肉》的(👚)风格(🤣)叙述(shù )了北(běi )美历(⬛)(lì )史上最恐怖的一(🔭)段“食(🙊)人”历史。
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
