80年代末(⏪)期,生(shē80年代末(⏪)期,生(shēng )活在宁夏(😇)矿区的(de )小(🐉)两口陈志平(张(zhāng )多饰)(🏡)和周淑萍(🗒)(píng )(卢(🎲)珊饰)过着(zhe )平(píng )凡(🦕)又安宁的生活(huó(🥩) )。但嗜(shì )赌(🌨)如命的(de )大(🥓)(dà )伯哥(杜旭东(🍢)饰(shì ))被(👯)人(rén )追债(😨)追到(dào )家里,紧接(🎒)着父亲(qī(🆑)n )(郭九(jiǔ(🙃) )龙饰)(💴)被(bèi )气死(💉)、母亲((🏳)刘爱(ài )玲(🏡)饰)被(⏱)逼疯、就(🐆)连陈(chén )志(🥑)平也在矿(🔆)上受伤(😭)(shāng ),加上早(🐦)年就因(yī(🖨)n )车祸下身瘫痪的(㊗)弟(dì )弟陈(🅿)志军,一家(jiā )人(rén )全体陷入(💆)困境,只有(🕦)周淑萍(🦀)一个(gè )女(nǚ )人担负(🕶)起了拯救(jiù )家庭(😵)的重任...
Since early childhood, Bjö(🚯)rn has secretly carried an insurmountable fear. When his father dies of old age, he and his four sisters are each left with a video message, that makes him question everything. Director Johan Löfstedt’s extended family play themselves in a heartfelt and unconventional film about life, death and the courage to change
伊格(🙅)内修是中产(chǎn )阶(👿)级,他经营(⏱)着(zhe )一(yī )家(🔚)自己餐厅,并(bìng )且(🛒)铁腕(wàn )管(🛠)理。因(yīn )此(❓)与员工(🚢)不断产生(🎅)(shēng )摩擦,尤(😑)其是和(hé(✌) )厨师。一(🏤)次,员工(gō(👊)ng )没打算(suà(🍷)n )联手设局(🗳)(jú )反抗(⛪)他(tā ),然而(🐹)事情却并(🈹)没(méi )有按照计划(🚈)中进(jìn )行(💻)...
《四个春天》是(shì )一部以真实(🐩)家庭(tíng )生(🌐)(shēng )活为(🧣)背景的纪录(lù )片。15岁(🚾)离家,在(zài )异(yì )乡(🐦)漂泊多年(🚣)的导(dǎo )演(🌥)以自己南方小(xiǎ(♍)o )城(chéng )里的(🈳)父母为主(🧠)角(jiǎo ),在四(sì )年光(👱)阴里(lǐ ),以(💢)一己之力(🤶)记录(lù(🛍) )了他们(men )的(🛄)美丽日(rì(⛴) )常。在如诗(🔦)的乐活(😙)(huó )慢生活(🚗)(huó )图景中(🐴),影像缓(huǎn )缓雕刻(🛒)出一(yī )个(🌽)幸福(fú )家(👯)庭近二(èr )十年的(📘)(de )温柔变迁(🍠),以及他(tā )们如何以自己的(🌏)(de )方式面对流转的(😔)时(shí )间、人生的得(🔖)失(shī )起(qǐ )落。
A newly reunited young couple's drive through the Pacific Northwest turns into a nightmare as they are forced to face nature, unsavory locals, and a monstrous creature, known to the Native Americans as Oh-Mah.
Brian and Jenny are preparing for the big opening of their bed and breakfast, Emily's Country Inn, when a huge storm hits Bucks County. Brian agrees to return to Wall Street to boost their funds, while Jenny scrambles to keep the opening on time.
都知(🔇)道尹奉(fè(🔊)ng )吉义士却(⛰)对与他(tā )同(tóng )行(🎋)的李华林(👊)知之(zhī )甚(🍰)少,都知道有(yǒu )个(🏀)(gè )临时政(⬅)府却对其(🤞)(qí )管理(🕐)内务的郑(🌨)靖(jìng )和(hé(🚌) )并不熟悉(🏋),虽然(rá(💥)n )这些人(ré(🛬)n )有点陌生(➖)(shēng ),她们却是实际(🦎)存(cún )在的(🦒)女(nǚ )性独(🏯)立运(yùn )动人士,她(😅)们对独(dú(😖) )立的贡(gòng )献不算突(tū )出,因(👥)(yīn )为路线不同,所(🍘)以(yǐ )她们一直被我(😿)们(men )遗忘着,本影片(🤳)记(jì )述了(🐁)她们的故(🦗)事(shì )。@
重口味血腥(🙆)恐怖(bù )片(🍨)。一场入室(🔕)绑(bǎng )架(jià )迫使两(📝)位少年闯(🥞)(chuǎng )入一个(🎉)偏远的(Ⓜ)乡(xiāng )村(cū(⏪)n )宅邸,偷窃(🕑)顶级(jí )机(😵)密文件(😺)。他们(men )不(bú(📭) )知道的是(💡),那所(suǒ )富丽堂(tá(🛐)ng )皇的旧宅(🕞)(zhái )邸也是一群位高权(quán )重(🛑)的中(zhōng )年(🐚)人的集(😗)(jí )合地,那些中年人(🤾)(rén )穿着尿(niào )布,故(🌫)意(yì )放纵地(dì )陷入(☔)护士主题的性(xì(🎽)ng )奇想,以便(🅰)躲避(bì )生(🥄)活压力。或者这(zhè(🧘) )场奇怪的(🍯)集会意(yì(🕢) )欲通过阴险的病(👊)态(tài )的畸(🥡)形的的方(🐑)式(shì )为(❤)(wéi )全球经(🐗)济补充能(🚩)(néng )量…
1891年(🖖),后印象(🏟)(xiàng )派(pài )大(👪)师保罗·(💱)高更(gèng )在巴黎的(😨)艺术圈(quā(🍆)n )已(yǐ )小有名气,但为(wéi )文明(🚂)社(shè )会的(🔠)虚伪(wě(❄)i )与矫情感到厌烦。对(🎈)于原(yuán )始世界的(🤟)(de )渴望驱使他离开家(☔)(jiā )中妻小(xiǎo ),来到(💾)南(nán )太平(🔍)洋(yáng )的大(🎈)溪地;准备好(hǎ(🔑)o )为追寻已(😃)(yǐ )久的自(😉)(zì )然、野性、纯(🚎)粹的(de )生活(😫)与创作环(🌾)境(jìng )牺(🐔)牲一切。忍(🀄)受着(zhe )经济(👪)上的贫困(🦔)和(hé )精(🎾)(jīng )神上的(🥕)孤寂,高(gā(🚲)o )更走进丛林深处(🍰)(chù ),认识了(📢)当地的毛(máo )利人,邂逅了原(🔱)(yuán )住(zhù )民(👿)女孩德(🐵)胡拉;一段三(sān )角(🥞)关係也(yě )若隐若(🈳)现地缓缓浮(fú )出。这(🤽)(zhè )座远方岛(dǎo )屿(🚋)彷佛是他(🥊)灵魂的(de )故(👽)土,此处充满(mǎn )生(🦆)命力(lì )的(😓)人物面貌(🆘)与地景(jǐng )线条都(⚽)成(chéng )为他(⤵)的(de )缪思,激(🚮)发他创(🚹)作(zuò )出艺(🔴)术生涯中(⚽)最(zuì )具标(☝)志性的(💸)大师之(zhī(🤰) )作。
Nine no-budget horror/comedy shorts that explore themes of murder, death, revenge, self-mutilation, stalking, clones, hell, and weird squid babies.详情