The Focusing E&#
The Focusing Effect is a faux-documentary/horror film about three film students who make a doc about breakups, only to push one of their subjects too far.
《上海(🐪)月亮(lià(👙)ng )》根据井上(shàng )厦的同名(míng )原作改编而(ér )成的舞台(tái )剧，由栗山(🌥)(shān )民也(🧀)执导(dǎ(👩)o )，野村万(🖊)斋(zhāi )、(🖍)广末凉(🧙)(liáng )子主演，鷲(jiù )尾真知子、土屋佑壱(yī )、山崎一和辻万长共(⏳)(gòng )同出(🔥)演于2018年(🌤)3月(yuè )推(🍮)出。
Cut off from home and facing an impossible mission against mounting odds, "Deep Six" is a hyper-realistic live-action portrayal of a deep space forward operating base at a pivotal moment for humankind 250 years in our future.
Summer 1989, East Germany. Adam works as a tailor, Evelyn as a waitress. They are planning a vacation together when Evelyn finds out that Adam is cheating on her and decides to leave for the holiday on her own. She travels to Hungary, trailed by Adam. As the border with Austria falls, everything changes in Hungary. The frontiers are open, as the new possibilities for Adam and Evelyn to decide in which world – Eastern or Western –(🐲) they want to build a happy life. Adam und Evelyn is based on the homonymous novel by Ingo Schulze, translated in more than ten languages.
在贝鲁(📶)特(tè )一(✈)个街(jiē )角的咖啡店二(èr )楼，有(yǒu )一面大大的转(zhuǎn )角窗和(hé )一(🙍)台电视(👔)机，一位(🥅)78岁(suì )的(🗽)退伍将(🤑)军和(hé(🖋) )一位81岁的(de )退伍军医每(měi )天早上都(dōu )会在这里碰(pèng )面，看着(zhe )街(💍)角车来(🤕)人(rén )往(🌫)，做着(zhe )填(🤯)字游戏(🍣)，以此对(➿)抗(kàng )阿茨海默综(zōng )合症。伴(bàn )随两位老人(rén )的玩笑和字谜，咖(⬛)啡(fēi )馆(💺)的顾客(🤢)纷纷登(🙂)场。本片(🌄)用发生(💜)在(zài )一(🙆)个社(shè )会小角落16天之(zhī )内的一(yī )系列事件，四(sì )两拨千(qiān )斤(🥝)地讨论(😰)了人(ré(🈴)n )生、政(🏵)(zhèng )治、(🐏)历史等(🔫)话(huà )题；通过(guò )单场景多幕(mù )剧的结构(gòu )让人感受到(dào )老(📢)人们的(🔑)(de )孤独，以(🎁)及(jí )疾(🌗)病带来(🚯)(lái )的苦(⏸)涩，同(tóng )时映射出(chū )黎巴嫩暴力(lì )事件肆虐(nuè )的现状。以(yǐ )小(🔇)见大，令(➰)人回味(🎢)。
With her son being held captive by a criminal gang, police-officer Amanda Doyle, together with her ex-husband and three unlikely allies, takes part in a desperate plot to hold a wealthy banker and his family to ransom. But this is no ordinary family
A detective and his partner tries to solve a murder case whilst finding themselves stuck in a 1940s, film-noir world.
藝術家(💼)自古皆(🤜)寂寞或(⌛)(huò )許是(⏹)境界，人到中年(nián )萬事憂則是現(xiàn )實。在(zài )畫室洋洋灑灑(sǎ )呈(🚫)現自(zì(🥂) )由雄風(🤨)的裸男(🥅)(nán )畫作(👯)令(lìng )他(🌷)一舉成名，在家面(miàn )對前妻懷着新(xīn )歡骨肉、與女兒相處(chù(🎋) )尷尬卻(😤)令(lìng )他(🛎)一籌莫(🕴)展(zhǎn )。貝(🚫)蒙特(tè(📔) )的寂寞，在(zài )於如何在(zài )著名畫家與(yǔ )單親爸爸(bà )雙重身份(🏗)、藝術(🈯)創作(zuò(🐘) )與家庭(🚣)生活(huó(🧖) )之間取(🖤)得平衡。維羅(luó )（《電影就在街角》，35 屆）找來合作多年(nián )的編劇兼美指(⭕)(zhǐ )好友(🔆)對(duì )號(♌)入座，還(🕒)原(yuán )藝(🖋)術家(jiā(🌦) )有血有肉的矛(máo )盾本性(xìng )，在出世與入(rù )世的兩(liǎng )難外，毋忘(🔎)點(diǎn )點(👬)超現實(🍴)(shí )的幽(👠)默。
详情
