阿(🏊)呆和阿瓜是一(🤵)(yī )对非常要好的(🆚)(de )朋(pé(🆑)ng )友，他们觉得凭(🥧)借(jiè )自己的力量(😳)可以(🧦)修(xiū )理一切，有(📊)麻(🔏)(má )烦(fán )发生时，只要(⏲)开(kāi )动(dòng )脑筋，利(㊙)用手边的(de )工具都可(🈷)以搞(gǎo )定(dìng )。人们(✂)总(🏑)会(🧣)被他(tā )们(men )的“错(🎦)误”行为逗(dòu )笑，觉(🍡)得他(❎)们(men )有(yǒu )点笨，大(🎴)部分时(shí )间(jiān )会(🐖)把事(👗)情搞的更糟(zā(💪)o )，但(🥧)是呆瓜兄(xiōng )弟(dì )总(🚇)能自己做的事(shì(😗) )情(qí(✨)ng )中找到“自己的(🈂)路(lù )”，并对自己(jǐ(🚧) )努力(🛌)之后的结果感(🙌)(gǎn )到(dào )满意。因为(🍏)他们(🌺)坚(jiān )信一句话(🏇)“伟(🔵)大的(de )创造在最开始(🌀)(shǐ )的(de )时候也不是(⭕)完美(měi )的(de )，关键的是(🙄)开始的(de )勇气”。
On a trek to find the world's rarest tree, Dylan and his friends descend into harsh ravines and canyons. As the wilderness closes in on them they come face to face with hard truths about friendship, unrequited love, and the consequences of letting go of the past.
A man and a woman lay side by side in bed. Who are they and how do they know each other? There is no one clear answer and that’s what makes this story interesting.
清(🛵)(qī(🎐)ng )末(😢)(mò )民初军阀四(🐃)起战(zhàn )火(huǒ )绵绵(🥧)，老百(🧣)姓深陷(xiàn )水深(🛩)火热之中(zhōng )，很多(🧢)人妻(🙏)离子散(sàn )，家破(🌂)人(🌑)亡。然而有(yǒu )一座偏(🎭)远的小(xiǎo )山(shān )镇(🚼)，却独(🏡)享着这(zhè )一(yī(💰) )片安宁。但好景不(⬅)(bú )长(🚸)，镇上突然(rán )发(👿)生了一些离奇命(😎)(mìng )案(📸)(àn )，死去的都是(🏨)村(🔛)里(lǐ )的青年壮汉，闹(🔊)的(de )人心惶惶。一(yī(📸) )向(xiàng )夜不闭户的他(🛫)们(men )天(tiān )还没黑就(🎅)关(🧟)门(⤵)上锁(suǒ )，不再外(💶)出。但(dàn )这并非长(🎊)久之(💮)计(jì )，镇长为此(🙆)召集百姓(xìng )，筹集(🗑)钱财(🎴)招(zhāo )揽(lǎn )能人(👸)异(🛒)士，希望(wàng )能(néng )找出(🍞)根源，除去祸(huò )患(🔠)。
A collection of horror stories involving cannibals, zombies “and other funny creatures”.
Siblings torn apart by the hazards of life meet in Spain to settle the family's modest inheritance. Gustave, the mover, on the brink of bankruptcy, Jules the anarchistic activist, and Lou, the youngest, lost between her brothers, yearning for the unknown. Each one has a different outlook on life and their personal projects for this inheritance will reawaken family disagreements and phantoms of the past.
“假(jiǎ(🍳) )如(rú )音乐是爱(📛)情的食(shí )粮(liáng )，请(🛏)继续(🌷)演奏吧！”以配乐(🍈)著称(chēng )并为莎士(🐶)比亚(🎗)爱情(qíng )喜(xǐ )剧(🖊)《爱(🌹)的徒劳》及(jí )《爱的胜(🎷)利》（即(jí )《无事生(🌆)非》）注入无限活力(🎵)的(de )超(chāo )人气导演(😞)克(📜)里(🎪)斯托(tuō )弗•拉(🌍)斯康贝(bèi )（Christopher Luscombe）携(🎮)创作(💓)团队重(chóng )返(fǎ(🌵)n )埃文河畔斯特拉(📦)福(fú(🍻) )德的皇家莎士(⛓)(shì(🔩) )比(bǐ )亚剧团，执导莎(🏢)(shā )翁(wēng )另一部滑(🔰)稽又心酸(suān )的单相(😐)思爱情(qíng )故(gù )事(👛)：
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
都(🧚)说男人一(yī )有(⚾)(yǒu )钱就变坏，女人(🔬)一(yī(🚈) )变坏就有钱，这(🤩)句话用在张宝文(👨)(wén )和(😁)(hé )他的秘书身上(👗)绝对(duì )合适。张宝文(✈)原本(běn )有一个非(🖲)常(🕳)好(🥒)(hǎo )的(de )前程和家(⏫)庭，但是(shì )他却不(🔼)珍惜(🔣)，与自(zì )己的秘(🏢)书走到(dào )了(le )一起(👃)。这一(🐠)段办(bàn )公(gōng )室(🐊)的(😪)恋情导致了张(zhāng )宝(🔔)文在事业上(shàng )和(🚏)(hé )家庭上彻底破碎(🥀)(suì )。秘书的贪婪最(🛐)终落(👳)(luò )到过街老鼠(🖌)人(rén )人(rén )喊打的(🦆)地步(😂)。当(dāng )张(zhāng )宝文(🎉)重新回归家庭(tí(🌹)ng )的时(☝)候，一个(gè )熟悉的(⛔)面孔站在了(le )门(mén )口(😝)挡住了他的视线(🍉)(xià(🤐)n )。
