藝術(shù(🖇) )家(🚉)(jiā )自(⛅)古皆寂寞或許(🏽)是境界，人到中(🍮)(zhōng )年(🚪)(nián )萬事(shì )憂則(👟)是(🐇)現實(🕒)。在畫室洋洋灑(😥)(sǎ )灑呈現(xiàn )自(🌨)(zì )由(🐧)雄風的裸男畫(👻)作令他一舉成名(míng )，在(⬅)家(jiā )面(miàn )對前(🥍)妻懷(🏟)着新歡骨肉、(🏨)與女兒相(xiàng )處(chù )尷尬(✌)(gà )卻(què )令他一籌莫(🦌)展。貝蒙特的寂(🤦)寞，在(zài )於如(rú )何(hé )在(🗓)著名(🔒)畫家與單親爸(🍺)爸雙重身份(fè(👧)n )、藝(yì )術(shù )創(chuàng )作(🌮)與(🎗)家庭(😞)生活之間取得(🤙)平衡。維(wéi )羅(luó(📏) )（《電(💉)(diàn )影就在街角(🙊)》，35 屆(🔑)）找(✈)來合作多(duō )年(🐀)(nián )的編(biān )劇兼(🎙)美指(🤺)好友對號入座(🧤)，還(hái )原藝術(shù )家(jiā )有(🌅)血有肉的矛盾(😥)本性(🎋)，在出世與(yǔ )入(🚥)世的(de )兩(liǎng )難外，毋忘點(🎻)點超現實的幽默。
電(🐢)影劇(jù )情(qíng )是(🏝)一部勵志愛情故事(💫)，講(🔔)述男(😋)女(nǚ )主(zhǔ )角兩(✉)(liǎng )人(rén )因一次(🌬)交通意外，女方失去(🧑)記(🥌)憶(yì(🤲) )，男(nán )方(fāng )因(yī(🏍)n )此有預知未來(🎥)能力(🎾)。吳卓羲表示(shì(🍷) )：(🏰)「我(💼)(wǒ )哋(mì )呢套係(🛴)一部愛情至上(👢)，又好(💆)凄美(měi )又(yòu )浪(💛)漫(màn )嘅愛情片，男女之(🌙)間又唔係牽涉(🌮)床(chuá(🈸)ng )上(shàng )戲嘅，溫馨(🥎)鏡頭嘅床戲係有，都(dō(🎍)u )要睇劇(jù )本(běn )睇下(🧕)有冇需要攬呀(➗)錫呀，其實情(qíng )侶關(🤺)係(🦈)(xì )必(📅)(bì )須要有嘅，如(🐮)果唔係觀眾唔(🙃)知你(nǐ )係(xì )情侶(lǚ(🍏) )。」(🔫)
老刑(🏮)警顾老九接受(⛩)上级命令，带(dà(🚷)i )领(lǐ(🥤)ng )文(wén )楠(nán )和方(🥁)小(🈹)米开(🈁)办无忧事务所(🏞)掩护身(shēn )份(fè(🛠)n )，追(zhuī(🍨) )查(chá )假钞案件(🥍)。无忧事务所表面帮助(🎫)(zhù )客(kè )户排(pá(🐜)i )忧(yō(🍏)u )解难，解决生活(💼)琐事，实则伺机(jī )接(jiē(📹) )近假钞案件中心的(🕣)万家。万家对(duì(🕧) )警方戒(jiè )备(bèi )心很(🌱)强(📬)，由于(👽)万董事长卧床(⏯)不起(qǐ )，引发(fā(🤬) )了(le )一系列争夺家产(🍌)的(🔋)风波(🏽)，万家继(jì )承(ché(🍢)ng )人相(xiàng )继(jì )身(😐)亡，整(🎾)个公司都变得(🌄)人(✖)心惶(🤯)惶(huáng )。无(wú )忧(yō(🤩)u )事(shì )务所成员(🤥)逐步(🏠)渗透，发现万家(🔋)每(měi )个(gè )人都(dōu )有(yǒ(🔯)u )着不为人知的(🎗)秘密(📳)。危机再次升(shē(🔜)ng )级(jí )，协(xié )助(zhù )警方的(🚎)无忧事务所和万家(💤)犯罪团(tuán )伙(huǒ(🗡) )的正面较量一触即(🈹)发(🏾)……(😝)
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
导演瑞(ruì )泽在(🎯)家(jiā )中(zhōng )被人(📑)残忍杀害，恰好在远(🐦)方(📅)目击(🎾)(jī )杀人现(xiàn )场(🔺)(chǎng )的段爷前去(🌰)救援(🎣)，却被随后赶到(🚽)(dà(🦐)o )的(de )警(🆗)察(chá )赵(zhào )正浩(👍)当作杀人犯，经(🔴)过初(👀)步排查(chá )，警方(👏)(fāng )确(què )定此案应属熟(👛)人作案，在被害(📑)人(ré(🔗)n )瑞(ruì )泽的(de )社(shè(✖) )会关系调查中，赵正浩(🈴)发现瑞泽(zé )于(yú )死(🏋)前(qián )数(shù )日曾(🦀)与几位大学同学在(📰)某(🕳)桌游(🎍)吧(ba )聚(jù )会过，此(👏)次聚会中竟有(🛴)自己的妻(qī )子——(💀)法(😤)(fǎ )医(🙁)书萱在场。却正(🙉)撞上偷偷摸摸(🥖)(mō )前(😨)来找(zhǎo )线(xiàn )索(🌬)的(🏫)段爷(😜)，两人做起了临(🎆)时探案(àn )搭(dā(🌛) )档。
During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.
When Max, a down on his luck strip club owner, has his life and livelihood threatened by local gangsters, he turns to his wife's connections for help and hires a hitman to solve the problem once and for all. But before long, Max is blinded by his newfound power and his family finds him spinning off the rails as the body count piles up.
When a quick-witted but co-dependent college girl helps her best friend land a boyfriend, she's left on the outside looking in and is forced to deal with the realities of adulthood for the first time.
1926年(🏚)(nián )，在面临个人(🔻)生活破碎和写作瓶(pí(🔌)ng )颈(jǐng )危机(jī )的(de )情况(📮)下，年轻的阿加(🏨)莎.克里斯蒂(dì )决(jué )定(💮)自(zì )己(jǐ )去解决一(🎗)个真实生活中(🕒)的谋杀案(àn )。
During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.
