Norm, the newly crowned polar bear king of the arctic, must save New York City and his home. But Norm goes from hero to villain when he's framed for a crime he didn't commit. He must work with his friends to clear his good name and help save his kingdom in a winner-take-all hockey match
UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.
遭到友人設局而(🐴)欠下大筆(❗)(bǐ )債(zhài )務的張父(💁)，逼不(🏓)得已帶(dài )著(zhe )一家四口(⤵)承租(🐧)花蓮(😠)(lián )的一(yī )處(chù ) 凶(📑)宅，此(🕐)處過去曾(céng )發生(shēng )了(🚰)(le )駭人(🛳)聽聞(🥂)的五子命(mìng )案。初(🐦)(chū )入(🕢)凶宅的當(🧞)天，一(yī )些若有(yǒ(👏)u )似(sì(🐉) )無鬼影幢幢，加上張父(➗)(fù )突(tū )如(🥟)其(qí )來的搬家舉(💀)動，惹(🥉)(rě )的(de )張母與大姊心裡(🍇)不(bú )愉快(🍔)(kuài )。即使向張父抱(🐻)怨，鐵(🎛)齒的(de )張父以一貫不信(🥗)鬼(guǐ )神的(⛅)態(tài )度，予以拒絕(🏊)。
雅克(👑)·维(wéi )吉(jí )尔被指控(😖)谋杀(😠)了他(🚝)的妻(qī )子(zǐ )。作为(🔹)雅克(📧)·维吉(jí )尔案(àn )件(jià(😗)n )的陪(💏)审员(👙)，诺拉坚(jiān )信他没(❣)(méi )有(🎿)杀害他的(❄)妻子。但是，这种直(😶)觉很(😐)快就成为了一(yī )种(zhǒ(🌗)ng )偏执。她说(🗼)服了国内最(zuì )有(🦗)(yǒu )名(🌋)的律师为雅克辩护。为(🕢)(wéi )证明雅(🚸)克的清白，他们(men )携(💫)(xié )手(💭)展开了一场艰难(nán )的(🛴)辩护(hù )斗(👙)争。为此，他们(men )也付(💠)出(chū(💋) )了巨大的代价。这部电(😷)影(yǐ(✳)ng )受(shò(🥉)u )到雅克·维吉尔(🥇)的真(🍚)实(shí )案(àn )件的启发，讲(🎡)述了(🎃)(le )他的(📝)(de )妻(qī )子离奇失踪(🙄)，而他(👆)(tā )因此受(🎣)(shòu )到审判的故事(🐄)。
藤(té(♐)ng )冈靛在(zài )片中饰演引(🍴)发奇迹的(🎳)正体(tǐ )不(bú )明的(🤘)主人(👅)公拉乌，尽管(guǎn )他(tā )的(💱)国籍与语(🚟)言不明，但(dàn )是(shì(🎃) )温暖(🏆)的笑容却有种(zhǒng )不可(🏬)(kě )思(sī )议(💒)的力量，影片通(tō(🌩)ng )过超(🕖)越(yuè )国籍与宗教的年(🔭)轻(qī(😊)ng )人们(⛏)的(de )友情，自然地反(🏋)应人(😜)们的(de )生(shēng )活。影片全篇(🍙)外景(🤥)在印(🛍)(yìn )度(dù )尼西亚苏门答(🎗)腊岛(dǎo )拍(🚼)摄(shè )，用时一个月(♌)。
麦昆(😍)(kūn )本想给(gěi )女友来一(🆖)场创(🤕)意十(🔎)(shí )足的求(qiú )婚，但(☝)在毫(☝)无预兆的情况(kuàng )下(xià(📻) )结束了一(🏁)场轰轰烈烈的(de )爱(😠)(ài )情(🍂)，结局悲惨而可笑……(📝)在经历过(✂)失恋博物(wù )馆中(👧)(zhōng )的(🏟)(de )种种“失败”后，麦昆放(fà(🚸)ng )下了(🚆)，觉得(🐮)那段失(shī )败的爱(🥑)(ài )情(📎)反而激励了自己，让自(zì )己(🍖)(jǐ )学(🤫)会了如何去爱一个人(😢)(rén )，用什么(🏩)样的方式让(ràng )双(😌)方(fā(🚘)ng )相(xiàng )处，也明白了自己(🎓)(jǐ )该选择(🕐)(zé )去爱一个什么(😈)样的(👫)(de )女孩。
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
