伊格(gé )内(🌞)修
伊格(gé )内(🌞)修(🌵)是(shì )中产阶级,他经(jīng )营着一(yī(🌀) )家(📐)自己餐厅(🍝),并(🗂)(bìng )且铁腕(wàn )管理。因此(💓)与员(yuán )工(🎼)不(🍛)断(duàn )产生摩擦,尤其(qí )是和厨(chú )师(⤵)。一次,员工(🎩)(gō(🍍)ng )没(🔑)打算(suàn )联手设局反抗他(tā ),然(🈁)而(🦏)(ér )事情却(🤱)并(😸)没有按(àn )照计划(huá )中(🖇)进行...
人據(🍉)說(🌏)一生最多(duō(🦎) )有十萬(wàn )條頭髮,每一(🍅)條(tiáo )頭髮(🥅)質(🏢)(zhì )感長度有異,但(dàn )都承載(zǎi )著(㊙)煩(📇)惱的回憶(📄)。「(⛏)時光(guāng )理髮」剪掉的不(bú )只是(✡)頭(📀)(tóu )髮,還有(🤰)街(👯)坊不(bú )快的記(jì )憶。行(🎶)將式微的(👭)(de )舊(📡)式廣(guǎng )東理髮店店主海(hǎi )泉叔指(📿)(zhǐ )望兒子(🕊)長(🐪)發(🖖)繼承(chéng )衣缽,不過兒子卻更想(😕)(xiǎ(🥄)ng )當文青(qī(☝)ng ),希(🐇)望透過文字(zì )和音樂(😤)(lè )改變世(🍾)界(🍩)。一次(cì )意外(🥎),長發被迫代父親落場(🛋)當(dāng )師傅(📲),透(🎱)過理髮為街坊(fāng )排憂解(jiě )難,更(🎞)與(㊙)離家出(chū(🤞) )走(🦓)少女(nǚ )相遇相知,重新(xīn )反思自(💆)(zì(😗) )己的前路(🐗)。傳(💂)統(tǒng )理髮店(diàn )交織舊(📨)區鄰里人(🐀)(ré(🅱)n )情,《點五步》男角岑(cén )珈其化(huà )身理(📫)髮店傳人(💾),演(🚊)出(🎆)清(qīng )新自然。
工厂停(tíng )工,张(zhā(🙄)ng )金(📯)生无处可(🦈)去(📀),他独自(zì )一人在工厂(🧗)徘徊(huái ),一(🖍)段(🏇)(duàn )古怪的声(🌔)音把他(tā )引入另(lìng )一(💰)个世界,那(🚷)里(💵)(lǐ )时而漫(màn )天大雪(xuě ),时而寂静(📐)荒(🍠)凉(liáng ),他看(🌟)(kà(🐐)n )到了不同的自己(jǐ )。
建筑(zhù )工程(👼)师(Ⓜ)迈克尔打(🤼)(dǎ(🥑) )算带着(zhe )十四年都未曾(🌵)联(lián )系的(🌷)儿(🤓)(ér )子路易斯去挪威(wēi )参加父(fù )亲(🏤)的葬礼。二(🤾)人(🎎)(rén )因此有(yǒu )了一段从未有过(guò(🍤) )的(✳)独处(chù )时(✈)光(🦋),迈克尔也(yě )想借此(cǐ )机会弥补(🆑)自(🛡)己作(zuò )为父(💉)亲(qīn )缺席的十四年。然(👡)而,无论迈(🎻)克(🥨)尔怎样(yàng )试图和(hé )儿子沟通都无(🎢)法(fǎ )得到(🥨)积(🏖)(jī )极的回(huí )应,二人之间仿(fǎng )佛(🍡)有(😎)着(zhe )一堵无(🔵)法(♏)逾越的(de )心墙。尽管这一(🐴)路上遇(yù(🌲) )到(😠)的种(zhǒng )种麻烦让路易斯(sī )一直埋(🥕)(mái )怨父亲(👾)的(🚪)粗心大(dà )意,迈(mài )克尔依然希望(🕟)能(💖)(néng )够推翻(🚙)(fā(🥡)n )彼此间的隔阂。
辉煌的(de )吉檀迦利(🚇)家(👌)族只(zhī )剩下(😬)公(gōng )主一个人,当了(le )“女(🧐)王(wáng )”的她(💧)与(❣)权力至(zhì )上的政(zhèng )客发生矛盾,不(🈺)(bú )知道如(🔆)(rú(💆) )何面对以后的种(zhǒng )种问题(tí )。还(➡)好(📛)(hǎo )先王最(📡)信(🥑)任的贴(tiē )身保镖(biāo )巴(🤝)瓦尼在女(🚅)王(⏩)左(zuǒ )右协助(zhù )她打理一切,慢(màn )慢(😖)的女(nǚ )王(🎿)与(📵)忠诚的巴瓦(wǎ )尼走得(dé )越来越(😪)近(🥁)。
The uncensored extended version of Don't Love Me - boys feature film with Alex Kelly and Alexander Scott.
When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.
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